The Locator -- [(subject = "Brecht Bertolt--1898-1956--Criticism and interpretation")]

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02667aam a2200349 a 4500
001 A84666F8332F11E49E51C4E1DAD10320
003 SILO
005 20140903010030
008 071026s2008    caug     b   s001 0 eng  
010    $a 2007044714
020    $a 0520254821 (cloth : alk. paper)
020    $a 9780520254824 (cloth : alk. paper)
035    $a (OCoLC)180575591
040    $a DLC $b eng $c DLC $d BAKER $d BTCTA $d OCLCG $d YDXCP $d UKM $d C#P $d BWX $d CDX $d VP@ $d HEBIS $d OCLCQ $d DEBSZ $d OCLCQ $d LS1 $d BDX $d OCLCQ $d OCLCO $d NUI $d SILO
050 00 $a ML423.B7 $b C35 2008
100 1  $a Calico, Joy Haslam, $d 1965- $e author.
245 10 $a Brecht at the opera / $c Joy H. Calico.
260    $a Berkeley : $b University of California Press, $c ©2008.
300    $a xvi, 282 pages : $b music ; $c 24 cm.
490 1  $a California studies in 20th-century music ; $v 9
500    $a "An Ahmanson Foundation book in the humanities"--Jacket flap.
504    $a Includes bibliographical references (pages 233-262) and index.
505 0  $a Lehrstück, opera, and the new audience contract of the epic theater -- The operatic roots of gestus in The mother' and 'Round heads and pointed heads -- Fragments of opera in American exile -- Lucullus : opera and national identity -- Brecht's legacy for opera : estrangement and the canon.
520 1  $a "Brecht at the Opera takes a systematic look at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society, even as he continued to work on opera projects throughout his career. In this book, Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstucke in the 1920s generated a new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. Calico further considers Brecht's concept of estrangement as the dominant aesthetic in today's Regieoper, or radical productions of canonical operas. This highly original study demonstrates the myriad ways in which opera shaped Brecht's most influential theories about theater and the works he created for the stage"--Jacket.
600 10 $a Brecht, Bertolt, $d 1898-1956 $x Criticism and interpretation.
600 10 $a Brecht, Bertolt, $d 1898-1956 $x Music. $x Music.
650  0 $a Opera.
830  0 $a California studies in 20th-century music ; $v 9.
941    $a 2
952    $l UNUX074 $d 20190205031910.0
952    $l OVUX522 $d 20171220050338.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A84666F8332F11E49E51C4E1DAD10320

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