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03934aam a2200481Ii 4500 001 BB6E1A281D7611EA83B92C1397128E48 003 SILO 005 20191213010258 008 180726t20182018enkac b 001 0deng d 020 $a 1912554046 020 $a 9781912554041 035 $a (OCoLC)1046072953 040 $a ERASA $b eng $e rda $c ERASA $d YDX $d OCLCO $d QGJ $d OCLCQ $d OSU $d OCLCO $d QGJ $d FSJ $d CNNGC $d JPG $d OCLCF $d UKMGB $d NLGGC $d HFL $d YDXIT $d OCL $d NUI $d UtOrBLW $d SILO 043 $a e-it--- $0 http://id.loc.gov/vocabulary/geographicAreas/e-it 050 4 $a PQ4632.R5 $b Z63 2018 082 04 $a 759.6074729123 $2 23 100 1 $a Hoare, Alexandra, $e author. $0 http://id.loc.gov/authorities/names/no2019022902 245 10 $a Salvator Rosa : $b friendship and the free artist in seventeenth-century Italy / $c Alexandra Hoare. 246 30 $a Friendship and the free artist in seventeenth-century Italy 264 1 $a London : $b Harvey Miller Publishers, $c [2018] 300 $a 521 pages : $b illustrations (chiefly color), portraits ; $c 31 x 23 cm. 490 1 $a Harvey Miller studies in Baroque art ; $v 9 520 8 $a This book examines the Neapolitan painter and satirist Salvator Rosa (1615-1673) from a new perspective. Preoccupied with a performative brand of self-manufacture that is everywhere apparent in his work as an artist, satirist and actor, Rosa was a key protagonist in a period of significant social change. A precursor of the modern independent artist, Rosa was also among the first of his generation to actively seek and in many ways achieve the kind of professional autonomy his predecessors desired and his successors fully accomplished. The author argues that the social bond of friendship, its rituals and discourses, was vital to both Rosa's self-conception and his achievements. Five chapters explore this phenomenon in connection with various contexts central to Rosa's professional practice and identity: theatrical performance; the academy; the practices of conversation, letter writing and poetry; the ritual of gift-giving and the cultivation of the topos of the friend as a second self, here considered in relation to a portrait painted for a friend; and the art market. The book also responds to and outlines for the reader the current state of scholarship on Rosa, a field of study that has gained significant momentum in the last decade and to which the book itself seeks to make a meaningful contribution. 504 $a Includes bibliographical references (pages 419-510) and index. 505 00 $g Conclusion. $g 1. $t Rosa as artist: the business of friendship -- $g 2. $t Rosa as academic: Academia as the enterprise of friendship -- $g 3. $t Rosa as writer and orator: conversations, letters and poems as rituals of friendship -- $g 4. $t Rosa as poet-philosopher: the friend as a second self -- $g 5. $t Rosa as artist: the business of friendship -- $g Conclusion. 600 10 $a Rosa, Salvatore, $d 1615-1673 $x Criticism and interpretation. 600 17 $a Rosa, Salvatore, $d 1615-1673. $2 fast $0 (OCoLC)fst00016561 648 7 $a 1600-1699 $2 fast 650 0 $a Actors $z Italy. 650 0 $a Authors, Italian. $0 http://id.loc.gov/authorities/subjects/sh85009930 650 0 $a Artists $z Italy. 650 0 $a Painting $z Italy $y 17th century. 650 7 $a Authors, Italian. $2 fast $0 (OCoLC)fst00822127 650 7 $a Artists. $2 fast $0 (OCoLC)fst00817559 650 7 $a Actors. $2 fast $0 (OCoLC)fst00796296 650 7 $a Painting. $2 fast $0 (OCoLC)fst01050567 651 7 $a Italy. $2 fast $0 (OCoLC)fst01204565 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 700 12 $a Rosa, Salvatore, $d 1615-1673. $t Works. $k Selections. 830 0 $a Harvey Miller studies in Baroque art ; $v 9. $0 http://id.loc.gov/authorities/names/no2012116466 941 $a 1 952 $l OVUX522 $d 20191213013856.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=BB6E1A281D7611EA83B92C1397128E48Initiate Another SILO Locator Search