The Locator -- [(subject = "Beethoven Ludwig van--1770-1827--Criticism and interpretation")]

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02661aam a2200313 a 4500
001 77FCCA1E4DE711E4A85DE8D9DAD10320
003 SILO
005 20141007010118
008 080813s2008    nyuag    b    001 0 eng  
010    $a 2008035629
020    $a 1576471225
020    $a 9781576471227
035    $a (OCoLC)150349747
040    $a DLC $b eng $c DLC $d BTCTA $d YDXCP $d BAKER $d C#P $d BWX $d CDX $d NLGGC $d GEBAY $d UWO $d GBVCP $d OCLCQ $d OCLCA $d OCLCQ $d NUI $d SILO
050 00 $a ML410.B42 $b C48 2008
100 1  $a Churgin, Bathia, $e author.
245 10 $a Transcendent mastery : $b studies in the music of Beethoven / $c Bathia Churgin.
264  1 $a Hillsdale, N.Y. : $b Pendragon Press, $c [2008]
300    $a xvii, 417 pages : $b illustrations, music ; $c 27 cm.
490 1  $a North American Beethoven studies ; $v 4
504    $a Includes bibliographical references (pages 396-407) and indexes.
505 0  $a Violin concerto in D major, op. 61 -- Piano sonata in D major, op. 10, no. 3 -- Violin sonata in G major, op. 96 -- String quartet in A minor, op. 132.
520 1  $a "The purpose of the four long chapters in this volume is to consider widely and deeply four of Beethoven's most excellent works. Each work represents a different genre and each comes from a different period of Beethoven's stylistic development. Thus, the Piano Sonata, Op. 10, No. 3 (1797-98). represents the early period; the Violin Concerto, Op. 61 (1806), and Violin Sonata, Op. 96 (1812), the middle period (though with several later traits) and the String Quartet, Op. 132 (1825), the late period. As a result, the reader becomes acquainted with the special character of each genre as well as the overall development of Beethoven's style - including a large range of structural types and unique forms. Each work is given a comprehensive analysis rarely applied to single compositions of Beethoven." "In addition to necessary historical background and references to the critical reception, comparisons have been included with other works by Beethoven in the same genre and period. This wider personal context combines with an effort to view Beethoven s music not only in terms of the heritage of Haydn and Mozart, but also in relation to the long development of Classic style and its procedures from the early Classic period onward, starting in the 1730s"--Jacket.
600 10 $a Beethoven, Ludwig van, $d 1770-1827 $x Criticism and interpretation.
650  0 $a Music $y 19th century $x History and criticism.
830  0 $a North American Beethoven studies ; $v v. 4.
941    $a 1
952    $l OVUX522 $d 20180112063325.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=77FCCA1E4DE711E4A85DE8D9DAD10320

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