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03527aam a22004218i 4500 001 BC2A8D34AAD011EE853AF3262BECA4DB 003 SILO 005 20240104011316 008 230810s2023 nyua 000|0|eng|d 020 $a 1633451526 020 $a 9781633451520 (hbk.) : 040 $a StDuBDS $b eng $c StDuBDS $e rda $d StDuBDS $d SILO 050 4 $a TR647 072 7 $a PHO $2 ukslc 072 7 $a AJ $2 bicssc 072 7 $a AGB $2 thema 072 7 $a AJF $2 thema 072 7 $a AJ $2 thema 072 7 $a AJCD $2 thema 072 7 $a AGB $2 bicssc 082 04 $a 779.092 $2 23 245 00 $a An-My Le - between two rivers / $c commentaries by Ocean Vuong ; contributions by La Frances Hui, Joan Kee, Thy Phu, Caitlin Ryan, Monique Truong ; edited by Roxana Marcoci. 246 30 $a Between two rivers. 263 $a 202309. 264 1 $a New York : $b The Museum of Modern Art, $c 2023. 300 $a 184 pages : $b 300 illustrations ; $c 31 cm. 520 8 $a An-My L: Between Two Rivers is the most comprehensive account of the artists career to date, encompassing three decades of her work across photographs, embroideries, videos, and installations. Through her photographs, videos, installations, and embroidered works, An-My L considers cycles of global history and conflict, and the consequences of diaspora, politics, and the sensationalizing of warfare. Born in Vietnam in 1960, L came to the United States in 1975 as a political refugee, after the fall of Saigon. Published to accompany the artists first New York museum survey, An-My L: Between Two Rivers is the first catalogue to present Ls three-decade practice in different mediums, with the artists seven photographic series alongside textiles, installations, and rediscovered films. The two rivers in the title refer to the Mekong River in Vietnam and the Mississippi River in the southern United States, two important geographic locations that appear in the artists photography from the earliest to the most recent works. An essay by the curator Roxana Marcoci examines the full sweep of Ls creative practice; four essays by the scholars La Frances Hui, Joan Kee, Thy Phu, and Caitlin Ryan each focus on specific series; and two texts by the writers Monique Truong and Ocean Vuong bring poetic sensibility to Ls singular perspective. 505 0 $a Front Matter Lead Essay by Roxana Marcoci Marcociâs essay will offer an overarching presentation of LÌâs thirty-year career, covering the spectrum of her artistic projects to date. Four focused Thematic Essays 1. Joan Kee on LÌâs series Events Ashore (2005â2014) 2. Thy Phu on L'Ìs films Small Wars (1999â2002) and 29 Palms (2003â2004) 3. La Frances Hui on photos from the series Silent General (2015âpresent) 4. Caitlin Ryan on Trap Rock (2005-2007) Two creative excerpts 1. Monique Truong, excerpt from poem entitled "A Rejected 'Travelogue' of Singapore, the Philippines, and Vietnam," to be retitled ""we travel to see" 2. Ocean Vuong, previously published poem "The Last Dinosaur" Illustrated Chronology Plates Back Matter. 600 10 $a LeÌ, An-My, $d 1960- 650 0 $a Photography, Artistic. 650 7 $a PHOTOGRAPHY / Individual Photographers / Monographs $2 bisacsh. 650 7 $a PHO015000 $2 bisacsh. 650 7 $a PHOTOGRAPHY / Photojournalism $2 bisacsh. 700 12 $a Le, An-My, $d 1960- $t Works. $k Selections. 700 1 $a Marcoci, Roxana, $e editor. 941 $a 1 952 $l CAPH522 $d 20240104011818.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=BC2A8D34AAD011EE853AF3262BECA4DBInitiate Another SILO Locator Search