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03807aam a2200541 i 4500 001 CD3C29FC1D8011EFA6667B3325ECA4DB 003 SILO 005 20240529010049 008 230605t20242024caua b 001 0 eng 010 $a 2023026151 020 $a 0520390598 020 $a 9780520390591 020 $a 0520390571 020 $a 9780520390577 035 $a (OCoLC)1389887716 040 $a CU-S/DLC $b eng $e rda $c DLC $d OCLCO $d YDX $d OCLCF $d BDX $d YDX $d AUM $d AMH $d OBE $d HRM $d OCLCO $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a ML3479 $b .M69 2024 082 00 $a 780.89/96073 $2 23/eng/20230710 100 1 $a Morrison, Matthew D., $d 1981- $e author. 245 10 $a Blacksound : $b making race and popular music in the United States / $c Matthew D. Morrison. 264 1 $a Oakland, California : $b University of California Press, $c [2024] 300 $a xviii, 304 pages : $b illustrations ; $c 24 cm 500 $a "Roth Family Foundation imprint in music" 504 $a Includes bibliographical references and index. 505 0 $a Introduction : the origins of blacksound -- Slavery and blackface in the making of blacksound -- William Henry "Master Juba" Lane and Antebellum blacksound -- Stephen Foster and the composition of Americana -- The house that blackface built : M. Witmark & Sons and the birth of Tin Pan Alley -- Intellectual (performance) property : ragtime goes pop -- Conclusion : blacksound and the legacies of blackface. 520 $a "Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States took shape during slavery out of blackface. "Blacksound" as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into the making of popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake - and for whom - in revisiting the long history of American popular music"-- $c Provided by publisher. 650 0 $a Minstrel music $z United States $x History and criticism. 650 0 $a Minstrel shows $z United States. 650 0 $a Popular music $z United States $x History and criticism. 650 0 $a African American musicians $x Race identity $z United States. 650 0 $a African American musicians $x Social conditions. 650 0 $a Popular music $x African American influences. 650 6 $a Musique de meÌnestrels (TheÌaÌtre ameÌricain) $z EÌtats-Unis $x Histoire et critique. 650 6 $a Spectacles de meÌnestrels (TheÌaÌtre ameÌricain) $z EÌtats-Unis. 650 6 $a Musique populaire $z EÌtats-Unis $x Histoire et critique. 650 6 $a Musiciens noirs ameÌricains $x Conditions sociales. 650 7 $a Minstrel music $2 fast 650 7 $a Minstrel shows $2 fast 650 7 $a Popular music $2 fast 651 7 $a United States $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast 776 08 $i Online version: $a Morrison, Matthew D., 1981- $t Blacksound $d Oakland, California : University of California Press, [2024] $z 9780520390607 $w (DLC) 2023026152 941 $a 1 952 $l UQAX771 $d 20240529010223.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=CD3C29FC1D8011EFA6667B3325ECA4DB 994 $a C0 $b JIDInitiate Another SILO Locator Search