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03482aam a2200457Ii 4500 001 98C56D3EE96D11E8978F920F97128E48 003 SILO 005 20181116010210 008 180525s2018 enka bc 000 0 eng d 020 $a 9781849765671 020 $a 1849765677 035 $a (OCoLC)1013591390 035 $a (OCoLC)1041759946 040 $a UKTTE $b eng $e rda $c UKTTE $d HUV $d BDX $d LND $d OCLCF $d SILO 050 4 $a N6758 $b .A35 2018 080 $a LON-TAT (TB) 082 04 $a 704.9499403 245 00 $a Aftermath : $b art in the wake of World War One / $c edited by Emma Chambers. 246 30 $a Art in the wake of World War One 264 1 $a London : $b Tate Publishing, $c 2018. 300 $a 128 pages : $b illustrations (chiefly colour) ; $c 25 cm 504 $a Includes bibliographical references. 505 0 $a Aftermath / Emma Chambers -- Making the absent present / Catherine Moriarty -- Here everything is still floating / Michael White -- The return to order / Simon Martin -- Remaking society / Dorothy Price -- Chronology 1914-1932 / Rachel Rose Smith -- List of exhibited works. 518 $a Catalogue of an exhibition held at Tate Britain, London, 5 June - 23 September 2018. 520 $a A ground-breaking exhibition at Tate Britain, scheduled to mark the end of the 1918 centenary commemorative period, will be the first to examine the memorialisation and the social and aesthetic impact of the First World War. It will explore how memories of the war have been filtered through specific cultural forms and political agendas. These range from memorial painting and sculpture, to representations of the destruction of bodies and landscape, and new aesthetic developments in art which offered ways of critiquing and re-imagining post-war society. It will compare visual responses to the war in Britain, Germany and France and include painting, sculpture, works on paper, photography, film and medical collections. This accompanying publication will examine how processes of commemoration and mourning were represented through the visual arts in Britain, Germany and France. Illustrations will range from artworks specifically commissioned as memorials of war - such as commemorative painting cycles and memorial sculpture - to those associated with formal and intellectual developments such as Dada and Surrealism, which created new visual forms to process experiences and memories of the conflict. Authors will also examine how memories of war influenced the art of the inter-war years and look at the social impact of the First World War through the interaction between artists, politics and city spaces. 611 27 $a World War (1914-1918) $2 fast $0 (OCoLC)fst01180746 650 0 $a Art, European $y 20th century $v Exhibitions. 650 0 $a World War, 1914-1918 $x Art and the war $v Exhibitions. 650 0 $a World War, 1914-1918 $x Influence $v Exhibitions. 650 7 $a Art and war. $2 fast $0 (OCoLC)fst00815446 650 7 $a Art, European. $2 fast $0 (OCoLC)fst00816244 650 7 $a Influence (Literary, artistic, etc.) $2 fast $0 (OCoLC)fst00972484 648 7 $a 1900-1999 $2 fast 655 7 $a Art. $2 fast $0 (OCoLC)fst01423702 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 700 1 $a Chambers, Emma, $e editor. 710 2 $a Tate Britain (Gallery), $e host institution. 941 $a 2 952 $l USUX851 $d 20190305053404.0 952 $l OVUX522 $d 20190212015601.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=98C56D3EE96D11E8978F920F97128E48Initiate Another SILO Locator Search