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05224aam a2200601 i 4500 001 E08A9E48141211EF8F56A7732FECA4DB 003 SILO 005 20240517010047 008 230801s2024 nyua b 001 0 eng 010 $a 2023032856 020 $a 023121197X 020 $a 9780231211970 020 $a 0231211961 020 $a 9780231211963 035 $a (OCoLC)1394065345 040 $a DLC $b eng $e rda $c DLC $d YDX $d OCLCO $d CDN $d YDX $d MNN $d OCLCF $d CQC $d OCLCO $d NUI $d SILO 042 $a pcc 050 00 $a PN841 $b .C37 2024 082 00 $a 700.89/96 $2 23/eng/20230817 100 1 $a Casteel, Sarah Phillips, $d 1974- $e author. 245 10 $a Black lives under Nazism : $b making history visible in literature and art / $c Sarah Phillips Casteel. 264 1 $a New York : $b Columbia University Press, $c [2024] 300 $a xiii, 253 pages: $b illustrations ; $c 24 cm. 490 1 $a Black lives in the diaspora: past / present / future 520 $a "During the Third Reich people of African descent were viewed as a threat to the health and purity of Germany. Black Europeans suffered a variety of forms of persecution including ostracism, forced sterilization, incarceration in concentration camps, medical experimentation, and execution. Blacks in occupied Europe represented a variety of backgrounds including many of whom were of dual African and European heritage; African, Caribbean and African American expatriates who traveled to Europe in search of educational and employment opportunities; and colonial and African-American troops. Among the African American emigreÌs were a number of jazz musicians, who chose to stay in Europe when the war broke out rather than return to the segregated American society. In Making History Visible, Sarah Phillips Casteel explores a wide range of transnational literary and artistic works that depicted the experiences of Black victims of the Third Reich. In the first half of the book, she examines testimonial artworks produced either during the war or retrospectively by survivors of the Nazi regime, such as the visual diaries of Josef Nassy as well as three autobiographical accounts by German and French men of African descent. In the second half, Casteel turns her attention to later literature and visual art that produced fictional testimonies and archival objects that integrate the experiences of Black victims into the collective memory of the Holocaust. Casteel argues that African diaspora writers and artists have persistently challenged the erasure of Black wartime history both through their testimonial art and through imaginative acts of recovery. At the same time, the reception histories of their works reveal the extent to which scholarly, curatorial, and marketing categories and imperatives have tended to undermine these efforts to emphasize other groups' experiences during World War II"-- $c Provided by publisher. 504 $a Includes bibliographical references (pages 227-239) and index. 505 0 $a Introduction: Invisible and invented archives -- Part I: Documenting the past: The artist as witness -- Outside the frame: Josef Nassy's visual diary of internment in Nazi Germany -- Broken citizenship: Survivor memoirs by Hans J. Massaquoi, Theodor Michael, and John William -- Part II: Imagining the past: The artist as historian -- Jazz fiction and the Holocaust: Testimonial objects in the novels of John A. Williams and Esi Edugyan -- Performing to survive: "Queen of the Trumpet" Valaida Snow in fiction, drama, and graphic narrative -- Postmemorial landscapes of Black Europe: Maud Sulter's alpine photomontages -- Coda: Dancing out history in Oxana Chi's "Durch GaÌrten Tanzen". 648 7 $a 1900-1999 $2 fast 650 0 $a European literature $x History and criticism. $x History and criticism. 650 0 $a Art, Black $y 20th century. 650 0 $a World War, 1939-1945 $x Literature and the war. 650 0 $a World War, 1939-1945 $x Art and the war. 650 0 $a Holocaust, Jewish (1939-1945) $x Influence. 650 0 $a Collective memory in literature. 650 0 $a Collective memory in art. 650 7 $a Art, Black $2 fast $0 (OCoLC)fst00816023 650 7 $a Collective memory in art $2 fast $0 (OCoLC)fst01902843 650 7 $a Collective memory in literature $2 fast $0 (OCoLC)fst01902844 650 7 $a Influence (Literary, artistic, etc.) $2 fast $0 (OCoLC)fst00972484 650 7 $a War and literature $2 fast $0 (OCoLC)fst01170442 655 7 $a Art $2 fast $0 (OCoLC)fst01423702 655 7 $a Art criticism $2 fast $0 (OCoLC)fst02003312 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a Literary criticism $2 fast $0 (OCoLC)fst01986215 655 7 $a Literary criticism. $2 lcgft 655 7 $a Art criticism. $2 lcgft 655 7 $a Critiques litteÌraires. $2 rvmgf $0 (CaQQLa)RVMGF-000001939 655 7 $a Critiques d'art. $2 rvmgf $0 (CaQQLa)RVMGF-000001963 776 08 $i Online version: $a Phillips Casteel, Sarah, 1974- $t Black lives under Nazism $d New York : Columbia University Press, 2024 $z 9780231559140 $w (DLC) 2023032857 830 0 $a Black lives in the diaspora 941 $a 1 952 $l OVUX522 $d 20240517012509.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=E08A9E48141211EF8F56A7732FECA4DBInitiate Another SILO Locator Search