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07686aam a2200445 i 4500 001 78C7C078FC1E11E7B7150C4F97128E48 003 SILO 005 20180118010544 008 160524s2017 nmu b s001 0 eng 010 $a 2016018378 020 $a 0826357881 020 $a 9780826357885 020 $a 0826357873 020 $a 9780826357878 035 $a (OCoLC)951833327 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d BDX $d YDX $d BTCTA $d OCLCF $d OCLCO $d OCLCQ $d IQU $d ZLM $d UtOrBLW $d SILO 042 $a pcc 043 $a cl----- $0 http://id.loc.gov/vocabulary/geographicAreas/cl 050 00 $a N6502.5 $b .M36 2017 $0 http://id.loc.gov/authorities/classification/N 082 00 $a 709.8 $2 23 245 00 $a Manifestos and polemics in Latin American modern art / $c edited and translated by Patrick Frank. 264 1 $a Albuquerque : $b University of New Mexico Press, $c 2017. 300 $a xv, 304 pages ; $c 23 cm 504 $a Includes bibliographical references and index. 505 0 $a Preface. Painting's near-death experience -- Early modernism. The mountain reborn / Dr. Atl -- Voices and demons / Armando ReveroÌn -- Regional autonomy / Pedro Figari -- The avant-garde of the 1920s. Modern art week: complete program, municipal theater, SaÌo Paulo, Brazil, February 1922 -- Remembering modern art week / Emiliano Di Cavalcanti -- Anthropophagite manifesto / Oswald de Andrade -- Manifesto of Martin Fierro / Oliverio Girondo -- The great serpent / Xul Solar -- Manifesto of the Grupo Minorista, Havana, May 7, 1927 -- Criollismo and its virtual interpretation / Carlos EnriÌquez -- Politically committed muralism and indigenism. Manifesto of the union of Mexican workers, technicians, painters, and sculptors -- The revolution in painting / Diego Rivera -- The syndicate of painters and sculptors / JoseÌ Clemente Orozco -- Religion, revolution, and painting: an interview with Francisco Goitia / Anaya Sarmiento -- Art, revolution, and decadence / JoseÌ Carlos MariaÌtegui -- In defense of indigenist painting / JoseÌ Sabogal -- The new realism / Antonio Berni -- Surrealism and related modes. On painting in Peru / CeÌsar Moro -- An approach to a reality that we do not understand yet: an interview with Leonora Carrington / Hans Ulrich Obrist -- Speaking of one of my paintings / Frida Kahlo -- Genesis of La jungla: an interview with Wifredo Lam / Antonio NuÌnÌez JimeÌnez -- Notes on photomontage / Grete Stern -- A world created by magic: excerpts from a conversation with AndreÌ Pierre / Donald Cosentino -- Constructive and informalist abstraction. The new art of America / JoaquiÌn Torres-GarciÌa -- Inventionist manifesto, Salon Peuser, Buenos Aires, March 1946 -- MadiÌ manifesto / Gyula Kosice -- MadiÌ and concrete-invention / Gyula Kosice -- Art has to be an adventure: an interview with Fernando de Szyszlo / M. Isabel Guerra -- Developing a conscience as a painter / Alejandro ObregoÌn, as told to Fausto Panesso -- The necessary pluralism in Latin American art / Manuel FelgueÌrez -- Midcentury architectural projects. Le corbusier, the education ministry, and Pampulha / Oscar Niemeyer -- Landscape art and paintings: an interviews with Roberto Burle Marx / Ana Rosa de Oliveira -- Integration of the arts / Carlos RauÌl Villanueva -- What is the social significance of modern architecture in Mexico? / Juan O'Gorman -- Emotional architecture / MatiÌas Goeritz -- Geometric, optical, and kinetic art. Statements on colorhythms and sculpture / Alejandro Otero -- Chance, reality, and perception / JesuÌs Rafael Soto -- Reflections on color / Carlos Cruz-Diez -- GRAV manifesto: transforming the current situation in plastic art / Julio Le Parc -- Neoconcrete art in Brazil. Neo-concrete manifesto / Ferreira Gullar -- Beasts [Bichos] / Lygia Clark -- My experiences with dance / HeÌlio Oiticica -- Postwar figuration and versions of pop. The cactus curtain / JoseÌ Luis Cuevas -- A conversation about Alberto Gironella / Moderated by Rita Eder -- The so-called "new figuration" of Argentina / Luis Felipe NoeÌ -- Marta MinujiÌn against the easel -- Furniture and bad taste: an interview with Beatriz GonzaÌlez / Katherine ChacoÌn -- Painting violence: an interview with Fernando Botero / Valeria Shapira -- Political conceptualism, 1960s-1970s. Insertion into ideological circuits / Cildo Meireles -- Seventeen questions regarding art / Horacio Zabala -- The No Manifesto of Tribu No / Cecilia VicunÌa -- Statements on crosses and feminism / Lotty Rosenfeld -- Can art change the world? An art interview with Alfredo Jaar / CristiaÌn Warnken -- The Catherwood Project / Leandro Katz -- Trends of the 1970s and early 1980s. In the city of angels, chameleons, and phantoms: Asco, a case study of Chicano art in urban tones (or, Asco was a four-member word) / Harry Gamboa Jr. -- Art and politics of the poster: an interview with Rupert GarciÌa -- Getting to painting through theater: an interview with Guillermo Kuitca / Graciela Speranza -- The weight of an island: an interview with Eugenio Dittborn and Roberto Merino -- Toward a new century. The personal and the political: an interview with Felix GonzaÌlez-Torres / Robert Storr -- Printing shadows: an interview with Graciela Sacco / Marguerite Feitlowitz -- Art, ideology, and violence: a conversation with Doris Salcedo and RociÌo LondonÌo Botero -- Shades of the tropics: a conversation with Beatriz Milhazes and Arto Lindsay -- AuotconstruccioÌn, or self-construction / Abraham Cruzvillegas -- Real and virtual light of relational architecture: an interview with Rafael Lozano-Hemmer / Geert Lovink. 520 $a "Bringing together sixty-five primary documents vital to understanding the history of art in Latin America since 1900, Patrick Frank shows how modern art developed in Latin America in this important new work complementing his previous book, Twentieth-Century Art of Latin America, Revised and Expanded Edition. Besides autobiographies, manifestos, interviews, and artists' statements, the editor has assembled material from videos, blogs, handwritten notes, flyers, lectures, and even an after-dinner speech. As the title suggests, many of the texts have a polemical or argumentative cast. In these documents, many of which appear in English for the first time, the artists themselves describe what they hope to accomplish and what they see as obstacles. Designed to show how modern art developed in Latin America, the documents begin with early modern expressions in the early twentieth century, then proceed through the avant-garde of the 1920s, the architectural boom of midcentury, and the Cold War years, and finally conclude with the postmodern artists in the new century." -- Publisher's description 650 0 $a Art, Latin American $y 20th century. $0 http://id.loc.gov/authorities/subjects/sh2007101453 650 0 $a Art, Latin American $y 21st century. 650 0 $a Art manifestos $z Latin America. 650 0 $a Art $x Political aspects $z Latin America. 650 7 $a Art, Latin American. $2 fast $0 (OCoLC)fst00816534 650 7 $a Art manifestos. $2 fast $0 (OCoLC)fst01940187 650 7 $a Art $x Political aspects. $2 fast $0 (OCoLC)fst00815309 651 7 $a Latin America. $2 fast $0 (OCoLC)fst01245945 648 7 $a 1900-2099 $2 fast 700 1 $a Frank, Patrick, $d 1953- $e translator. $e translator. $0 http://id.loc.gov/authorities/names/n98015459 776 08 $i Online version: $t Manifestos and polemics in Latin American modern art. $d Albuquerque : University of New Mexico Press, 2017 $z 9780826357892 $w (DLC) 2016028305 941 $a 1 952 $l OVUX522 $d 20191213014907.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=78C7C078FC1E11E7B7150C4F97128E48Initiate Another SILO Locator Search