The Locator -- [(subject = "Realism in art")]

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03314aam a2200397 i 4500
001 883C9A3E774811E7923FA1BEDAD10320
003 SILO
005 20170802010138
008 160811t20172017caua     b    001 0 eng c
010    $a 2016034940
020    $a 1606065173
020    $a 9781606065174
035    $a (OCoLC)956633091
040    $a JPG/DLC $b eng $e rda $c JPG $d DLC $d OCLCO $d OCLCF $d BDX $d YDX $d YDX $d OCLCO $d GZM $d UBY $d SILO
041 1  $a eng $h ger
042    $a pcc
050 00 $a N6888 M454 B8713 2017
100 1  $a Busch, Werner, $e author.
240 10 $a Adolph Menzel. $l English
245 10 $a Adolph Menzel : $b the quest for reality / $c Werner Busch ; translated by Carola Kleinstu˜ck-Schulman.
264  1 $a Los Angeles : $b The Getty Research Institute, $c [2017]
300    $a 283 pages : $b illustrations (some color) ; $c 29 cm
504    $a Includes bibliographical references and index.
505 2  $a "When anecdotes become truth"-instead of an introduction -- Extreme approaches to the appropriation of reality: Menzel's beginnings as a graphic artist -- Des Ku˜nstlers Erdenwallen (the artist's earthly pilgrimage) -- Arabesque commercial prints -- Journeyman bricklayer's certificate -- The art of the celebratory address -- The possibilities of the black-and-white medium: Menzel's illustrations for Franz Kugler's Geschichte Friedrichs des grossen -- Menzel's image of Frederick II: a typological affinity -- Frederick's battles and the horror of war -- Nocturnal apparitions -- The conquest of chromatic painting: Menzel's oil sketches -- The oil sketch as a genre -- The handling of unattractive sights and views -- The private nature of the oil sketches -- Menzel and Constable -- Menzel and the Barbizon School -- From oil sketch to history painting -- Menzel as a history painter: the Frederick paintings -- Genre or history painting? -- Motivic borrowings from popular art -- Menzel's Hochkirch picture: the extreme case of a new kind of history painting -- Commissions for additional Frederick paintings -- The failure of the Leuthen painting and the unloved commission for the Coronation picture -- The farewell to history painting: Ko˜niggra˜tz and Paris -- Fantasies from the armory -- Menzel's experience of war -- In Paris: Theatre du gymnase -- The remodeling of the metropolis and the typology of its inhabitants -- Pictures of Sundays and the everyday -- Menzel's reaction to Parisian plein air painting -- After Paris: the later crowd scenes -- Painted reflections on art theory -- The iron rolling mill: apotheosis of labor or social critique? -- Menzel and court society -- Piazza d'Erbe: importunate chaos and enforced order -- Drawing as physical experience of the self.
600 10 $a Menzel, Adolph, $d 1815-1905 $x Criticism and interpretation.
650  0 $a Realism in art.
650  0 $a Art, German $y 19th century.
648  7 $a 1800-1899 $2 fast
700 1  $a Kleinstu˜ck-Schulman, Carola, $e translator.
710 2  $a Getty Research Institute, $e issuing body.
765 08 $i Translation of: $a Busch, Werner. $t Adolph Menzel. $d Mu˜nchen : C.H. Beck, [2015] $z 9783406680908
941    $a 2
952    $l OVUX522 $d 20191214020031.0
952    $l USUX851 $d 20190103014729.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=883C9A3E774811E7923FA1BEDAD10320
994    $a C0 $b IWA

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