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03201aam a2200409Mi 4500 001 6BEBB1DEFC1E11E7B7150C4F97128E48 003 SILO 005 20180118010544 008 161118s2017 enka b 001 0 eng d 020 $a 1137331682 020 $a 9781137331687 020 $a 1137331690 020 $a 9781137331694 035 $a (OCoLC)965607375 040 $a UKWOH $b eng $e rda $c UKWOH $d OCLCO $d CIA $d OCLCF $d YDX $d OCLCQ $d NUI $d UtOrBLW $d SILO 050 4 $a PN1661 $b .S54 2017 072 7 $a LIT $2 eflch 072 7 $a LIT $2 ukslc 082 04 $a 808.2 $2 23 100 1 $a Sigal, Sarah, $e author. $0 http://id.loc.gov/authorities/names/no2016170965 245 10 $a Writing in collaborative theatre-making / $c Sarah Sigal. 264 1 $a London : $b Macmillan Education, Palgrave, $c 2017. 300 $a x, 226 pages : $b illustrations (black and white) ; $c 22 cm 504 $a Includes bibliographical references and index. 505 0 $a I. Understanding the practice: key elements and early examples. Introduction -- 1. A brief history of writing, writers and text in twentieth-century collaborative theatre : Erwin Piscator and the dramaturgical collective ; Early experiments with multi-authored work ; The Adventures of the good soldier Schwejk and stage design as an element of composition ; Piscator's legacy ; Theatre Workshop and Joan Littlewood and partially devised scripting ; Oh! What a lovely war ; The writer/director-performer collaboration ; Littlewood's legacy ; The Open Theater: working towards writer-director co-creation ; Working with writers ; Viet rock and the writer-driven devising process ; Joint Stock: serving the writer ; A commitment to writing ; Cloud nine and the writer's workshop ; Conclusion -- II. Collaboration, text and ... 2. Writer as co-creator : Part I. The in-house writer: Helen Edmundson for Shared Experience ; Part II. The commissioned writer: Bryony Lavery for Frantic Assembly ; Part III. Practical strategies -- 3. The writer as company scribe : Part I. Stephen Brown, Dawn King and Ollie Wildinson for Filter ; Part II. Practical strategies -- 4. The writer/director : Part I. The writer/artistic director: Polly Teale ; Part II. The commissioned writer/director: David Farr for Filter ; Part III. Practical strategies -- 5. The writer as poet : Part I. Anna Maria Murphy and Carl Grose for Kneehigh ; Part II. Practical strategies -- 6. The multiple writer : Part I. Vic Bryson, Michael Wagg and Sarah Sigal for Teatro Vivo ; Part II. Practical strategies -- Conclusion. 650 0 $a Drama $x Technique. $0 http://id.loc.gov/authorities/subjects/sh85039333 650 0 $a Playwriting. $0 http://id.loc.gov/authorities/subjects/sh85103395 650 0 $a Drama $x Technique $v Case studies. 650 0 $a Playwriting $v Case studies. 650 7 $a Literature. $2 eflch 650 7 $a Drama $x Technique. $2 fast $0 (OCoLC)fst00897512 650 7 $a Playwriting. $2 fast $0 (OCoLC)fst01432078 650 7 $a Literature. $2 ukslc 655 7 $a Case studies. $2 fast $0 http://id.worldcat.org/fast/1423765 $0 http://id.worldcat.org/fast/1423765 941 $a 1 952 $l OVUX522 $d 20180118025455.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=6BEBB1DEFC1E11E7B7150C4F97128E48Initiate Another SILO Locator Search