The Locator -- [(subject = "Popular Music--Writing and publishing")]

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001 9420A49CAC3B11E48C2CF5F2DAD10320
003 SILO
005 20220910012104
008 140605s2015    nyuacf   b    001 0 eng d
020    $a 1594488495 (hardback)
020    $a 9781594488498 (hardback) :
035    $a (OCoLC)881094034
040    $a YDXCP $b eng $c YDXCP $d BTCTA $d OCLCQ $d BDX $d OCLCQ $d WIM $d UKMGB $d SFR $d OCLCF $d ABG $d CDX $d LG@ $d SILO
043    $a n-us---
050  4 $a ML3477 $b .Y34 2015
082 04 $a 782.421640973 $2 23
100 1  $a Yagoda, Ben, $e author.
245 14 $a The B side : $b the death of Tin Pan Alley and the rebirth of the great American song / $c Ben Yagoda.
264  1 $a New York, New York : $b Riverhead Books, a member of Penguin Group (USA), $c 2015.
300    $a 310 pages, 16 unnumbered pages of plates : $b illustrations, portraits ; $c 24 cm
504    $a Includes bibliographical references (pages 286-291) and index.
505 0  $a Premises, premises -- Mr. Miller and Mr. Schwartz, 1954 -- I get a kick out of you, 1885-1933 -- Jukebox Saturday night, 1925-1942 -- As time goes by, 1941-1948 -- What happened to the music?, 1946-1954 -- Brill Building boys, and girl, 1950-1955 -- The big beat, 1951-1968 -- Fly me to the moon, 1939-1965 -- Do you believe in magic?, 1957-1965.
520    $a "Everybody knows and loves the American Songbook. But it's a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn't Gershwin, Porter, and Berlin, but "Come on-a My House" and "How Much Is That Doggie in the Window?" Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews--the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It's destined to become a classic of American musical history" -- $c from publisher's web site.
650  0 $a Popular music $z United States $x History and criticism.
650  0 $a Popular music $x History and criticism. $z United States $x History and criticism.
650  7 $a Popular music. $2 fast $0 (OCoLC)fst01071422
650  7 $a Popular music $x Writing and publishing. $2 fast $0 (OCoLC)fst01071469
651  7 $a United States. $2 fast $0 (OCoLC)fst01204155
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
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956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=9420A49CAC3B11E48C2CF5F2DAD10320
994    $a C0 $b LG@

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