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03181aam a2200433Ii 4500 001 C953664A807011EABE26D64B97128E48 003 SILO 005 20200417010021 008 190713t20192019ne acf b 001 0 eng d 020 $a 9789463725712 020 $a 9463725717 035 $a (OCoLC)1108320978 040 $a YDX $b eng $e rda $c YDX $d BDX $d QGJ $d ERASA $d QGE $d QGK $d YDXIT $d OCLCO $d CHVBK $d OCLCO $d OCLCF $d DDO $d JPG $d SILO 050 4 $a ND170 $b .K66 2019 082 04 $a 759.03 $2 23 100 1 $a Knox, Giles, $e author. 245 10 $a Sense knowledge and the challenge of Italian Renaissance art : $b El Greco, Velazquez, Rembrandt / $c Giles Knox. 264 1 $a Amsterdam : $b Amsterdam University Press, $c [2019] 300 $a 233 pages, 8 unnumbered pages of plates : $b illustrations (some color), portraits ; $c 25 cm. 490 1 $a Visual and material culture, 1300-1700 ; $v 17 504 $a Includes bibliographical references (pages 219-228) and index. 505 0 $a Introduction : polemics of painting -- Part One. Origin stories and the challenge of Italy -- El Greco : Italy, Crete, Toledo -- From El Greco to Velazquez : Juan Bautista Maino -- Part Two. Illusion, materiality, touch -- Velazquez and inversion : making and illusion -- Vulcan, Mars, and Venus : erotic touch -- Late Rembrandt I : texture and the skilled touch -- Late Rembrandt II : feeling with the eyes -- Conclusion. 520 8 $a "Giles Knox examines how El Greco, Velazquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velazquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted." -- $c back cover. 600 07 $a El Greco $d 1541-1614 $2 gnd 600 07 $a Rembrandt $c Harmensz van Rijn $d 1606-1669 $2 gnd 600 17 $a Velazquez, Diego Rodriguez de Silva y $d 1599-1660 $2 gnd 650 0 $a Painting, Renaissance. 650 0 $a Senses and sensation in art $x History. 650 7 $a Painting, Renaissance. $2 fast $0 (OCoLC)fst01051051 650 7 $a Senses and sensation in art. $2 fast $0 (OCoLC)fst01112589 650 7 $a Malerei $2 gnd 650 7 $a Renaissance $2 gnd 650 7 $a Rezeption $2 gnd 651 7 $a Italien $2 gnd 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 830 0 $a Visual and material culture, 1300-1700 ; $v 17. 941 $a 1 952 $l OVUX522 $d 20231020011516.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C953664A807011EABE26D64B97128E48Initiate Another SILO Locator Search