The Locator -- [(subject = "Art--Italy--History")]

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02984aam a2200337Ia 4500
001 E7A1082AF50B11E7A6193F6E97128E48
003 SILO
005 20180109010327
008 051214t20052005pau      b    000 1deng d
010    $a 2005902865
020    $a 9781413491692
020    $a 1413491693
020    $a 9781413491708
020    $a 1413491707
035    $a (OCoLC)62594624
040    $a CLE $c CLE $d CLE $d BAKER $d VYM $d YDXCP $d A7U $d UtOrBLW $d SILO
100 1  $a Mileti, Nick J. $0 http://id.loc.gov/authorities/names/no97018241
245 10 $a Beyond Michelanagelo : $b the deadly rivalry between Borromini and Bernini / $c Nick J. Mileti.
264  1 $a [Philadelphia] : $b Xlibris, $c [2005]
300    $a 607 pages ; $c 23 cm
504    $a Includes bibliographical references (pages 603-607).
500    $a "Meticulously researched over a ten-year period, Nick Mileti has pieced together a gripping account of one of the most famous, but largely unexamined, artistic rivalries ever---the one-sided rivalry between the architect, Francesco Borromini (the instigator), and GianLorenzo Bernini, the greatest overall artist in history. Without a doubt, a number of his startling, but logical, observations and conclusions will send Bernini, Borromini, and Baroque scholars scrambling back to their libraries and computers. Everything came easy for GianLorenzo Bernini---his art, his style, even his loves. A confidant of monarchs, princes and popes, Bernini was a more talented sculptor and architect than Michelangelo, more successful with the ladies than Raphael, cooler than Guido Reni, and had more common sense than Galileo. The urbane Bernini was a sought-after conversationalist, got rich from his art, and even dressed nice. Bernini has been called the sanest genius who ever lived. Francesco Borromini's life, on the other hand, was a daily struggle. His own worse enemy, he was one of the first afflicted with what is now called 'artistic temperament.' He was anti-social, morose, suspicious, quarrelsome, disdained money, and irritated everyone he felt was interfering with his artistic vision---especially his patrons. Worse, Borromini knocked on Bernini's door all of his life and came up with a handful of marble dust. What does one do when faced with the impossible (self-imposed) task of topping the greatest all-around artist in history? Here's what you do: For your entire adult life you try every devious, malicious trick you can think of. When nothing works, you kill yourself. "---Cover page [4].
600 10 $a Borromini, Francesco, $d 1599-1667 $v Fiction.
600 10 $a Bernini, Gian Lorenzo, $d 1598-1680 $v Fiction.
650  0 $a Art $z Italy $x History $v Fiction.
655  7 $a Historical fiction. $2 gsafd
655  7 $a Biographical fiction. $2 gsafd
655  7 $a Fiction. $2 lcgft $0 http://id.loc.gov/authorities/genreForms/gf2014026339
941    $a 1
952    $l OVUX522 $d 20180109040756.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=E7A1082AF50B11E7A6193F6E97128E48

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