The Locator -- [(subject = "Printing--History")]

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05360aam a2200565 i 4500
001 43D3A8141B1B11EAA846F92397128E48
003 SILO
005 20191210010147
008 171026t20182018be ach   b    001 0 eng  
020    $a 2503576230
020    $a 9782503576237
035    $a (OCoLC)1007569347
040    $a NLM $b eng $e rda $c NLM $d QGJ $d AUXAM $d ERASA $d UKMGB $d OCLCF $d CHVBK $d FDA $d JPG $d L2U $d UAB $d YDX $d OCLCO $d NUI $d UtOrBLW $d SILO
042    $a pcc
043    $a e-it--- $0 http://id.loc.gov/vocabulary/geographicAreas/e-it
050 04 $a PN25.V47 $b A53 2018
060 00 $a WZ 294 $b V575d 2018
082 04 $a 709.945
245 00 $a Andreas Vesalius and the Fabrica in the age of printing : $b art, anatomy and printing in the Italian Renaissance / $c edited by Rinaldo Fernando Canalis and Massimo Ciavolella.
264  1 $a Turnhout : $b Brepols, $c [2018]
300    $a xxiv, 332 pages : $b illustrations (some color), facsimiles, portraits ; $c 24 cm.
490 1  $a Cursor mundi ; $v volume 33
504    $a Includes bibliographical references and index.
505 00 $g Part IV. A twenty-first-century perspective. $t Illuminating the science of life / $r Christine D. Young. $t Aldus Manutius and the world of Venetian publishing / $r Angela Nuovo -- $t Aldus Manutius's unfulfilled dream: Galen's journey from Campro Sant'Agostin to western culture / $r Lorenzo Perilli -- $g Part II. Paduan anatomy and the Fabrica. $t 'Fair Padua' as a centre of Renaissance anatomy / $r Andrew Cunningham -- $t Jan Steven van Calcar c. 1515 -- c. 1546, Vesalius;s illustrator / $r Monique Kornell -- $t Vesalius's methods in the production of the Fabrica with emphasis on the neuroanatomy chapters / $r Rinaldo F. Canalis -- $g Part III. Anatomy after the Fabrica: Padua and beyond. $t Gabrielle Falloppia: Vesalius's admirer and first critic / $r Rinaldo F. Canalis -- $t Anatomy in colour: Girolamo Fabrici d'Acquapendente (c. 1537-1619) / $r Raffaele de Caro -- $t Cut, copy, and English anatomy: Thomas Geminus and the reordering of Vesalius's canonical body / $r Melissa Lo -- $g Part IV. A twenty-first-century perspective. $t Vesal, 'for what he represents': Vesaliana in William Osler's collections / $r Hélène Cazes -- $t Habent sua fata libelli: the Ahmanson-Murphy Aldine collection at UCLA / $r Victoria Steele -- $t Illuminating the science of life / $r Christine D. Young.
520 8  $a Andreas Vesalius's fame derives from his writing of what is perhaps the most famous book in the history of medical science, 'De humanis corporis fabrica' (1543), a treatise that within a few years transformed the imperfect art of anatomy into a modern science. This extraordinary work, however, came into being not just because of its author's genius and industry, but for other reasons that remain (despite a vast body of scholarship) inadequately explored. These questions, the historical moment from which they stem, and the setting in which Vesalius produced the 'Fabrica', form the core of this volume. Some of these significant factors include the short time during which 'De fabrica' was produced, the debated authorship of its illustrations, and its immediate and subsequent impact on the teaching of anatomy. The book's significance within the context of present-day views of its historical value, and the ever increasing fascination it evokes among scholars and collectors alike, are also examined.
600 10 $a Vesalius, Andreas, $d 1514-1564. $t De humani corporis fabrica. $0 http://id.loc.gov/authorities/names/n81035169
600 10 $a Vesalius, Andreas, $d 1514-1564. $t De humani corporis fabrica $x Influence.
630 07 $a De humani corporis fabrica (Vesalius, Andreas) $2 fast $0 (OCoLC)fst01358656
600 17 $a Vesalius, Andreas, $d 1515-1564. $t De humani corporis fabrica. $2 gnd $0 (DE-588)4427384-8
650 12 $a Anatomy, Artistic $x history. $0 https://id.nlm.nih.gov/mesh/D000716Q000266 $0 https://id.nlm.nih.gov/mesh/D000716Q000266
650 22 $a Medical Illustration $x history. $0 https://id.nlm.nih.gov/mesh/D008488Q000266 $0 https://id.nlm.nih.gov/mesh/D008488Q000266
650 22 $a Printing $x history. $0 https://id.nlm.nih.gov/mesh/D011327Q000266 $0 https://id.nlm.nih.gov/mesh/D011327Q000266
650 22 $a History, Early Modern 1451-1600. $0 https://id.nlm.nih.gov/mesh/D049692 $0 https://id.nlm.nih.gov/mesh/D049692
651  2 $a Italy. $0 https://id.nlm.nih.gov/mesh/D007558 $0 https://id.nlm.nih.gov/mesh/D007558
650  0 $a Human anatomy $v Early works to 1800. $0 http://id.loc.gov/authorities/subjects/sh2008105843
650  0 $a Anatomy, Artistic $x History.
650  0 $a Medical illustration $x History. $0 http://id.loc.gov/authorities/subjects/sh2010101334
650  0 $a Medical publishing $x History.
650  7 $a Anatomie. $2 gnd $0 (DE-588)4001895-7
650  7 $a Druckgrafik. $2 gnd $0 (DE-588)4113357-2
650  7 $a Illustration. $2 gnd $0 (DE-588)4123412-1
650  7 $a Kunst. $2 gnd $0 (DE-588)4114333-4
651  7 $a Italien. $2 gnd $0 (DE-588)4027833-5
650  7 $a 21.32. $2 nbc
700 1  $a Canalis, Rinaldo F., $e editor. $0 http://id.loc.gov/authorities/names/n99801893
700 1  $a Ciavolella, Massimo, $d 1942- $e editor. $0 http://id.loc.gov/authorities/names/n85287109
830  0 $a Cursor mundi (Turnhout, Belgium) ; $v v. 33. $0 http://id.loc.gov/authorities/names/no2008077110
941    $a 1
952    $l OVUX522 $d 20231019020707.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=43D3A8141B1B11EAA846F92397128E48

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