The Locator -- [(subject = "Economic history")]

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001 6ECE64FC9E3C11EE84E191EF36ECA4DB
003 SILO
005 20231219010058
008 230530s2023    ne a   f      000 0 eng d
020    $a 9789463727136
020    $a 9463727132
035    $a (OCoLC)1379091595
040    $a NLAUP $b eng $c NLAUP $d YDX $d UKMGB $d OCLCF $d OCLCQ $d OCLCO $d QGJ $d OCLCQ $d NUI $d SILO
050  4 $a PN1993.Y66 $b W395 2023
072  7 $a APFA $2 bicssc
072  7 $a ATFA $2 thema
072  7 $a KFF $2 bicssc
072  7 $a KCSA $2 thema
082 04 $a 791.43553094309041 $2 23
100 1  $a Lyons, Owen, $e author. $4 aut
245 10 $a Finance and the world economy in Weimar cinema / $c Owen Lyons.
263    $a 202308
264  1 $a Amsterdam : $b Amsterdam University Press, $c [2023]
300    $a 274 pages : $b illustrations ; $c 24 cm.
490 1  $a Film Culture in Transition
520 3  $a "Between the World Wars, the contours of what would come to be understood as the world economy began to appear on in the cinemas of the Weimar Republic. To a non-specialist audience, it remained an invisible and barely understood effect on everyday life. "Finance and the World Economy in Weimar Cinema" argues that the popular understanding of this newly interconnected financial world order, and its new inhabitants, is essential to an understanding of the cultural products of the Weimar Republic - particularly in relation to ideas of gender, nation and modernity. This popular depiction of finance capital appears everywhere in 1920s Germany but has been overlooked, particularly in the films of the time. As a visual record, these films reveal the stock exchange as an essential space of modernity and coincide with the beginning of the abstraction of financial markets that would result in their increasing propagation as images and as a vast labour of representation throughout the twentieth century."-- $c Provided by vendor.
504    $a Includes bibliographical references (pages [257]-266) and index.
505 00 $g Bibliography $g Chapter 1: $t The Aggregate Image and the World Economy Macroeconomic Visions -- $g Chapter 2: $t Dr. Mabuse and His Doubles -- $g Chapter 3: $t Women and Financial Capital in Weimar Cinema -- $g Chapter 4: $t Finance, Liquidity and the Crisis of Masculinity in Weimar Cinema -- $g Chapter 5: $t The Aggregate Image and the World Economy Macroeconomic Visions -- $g Epilogue -- $g Fungibility and Authenticity -- $g Appendix -- $g Bibliography
648  7 $a 1900-1999 $2 fast
650  0 $a Economics in motion pictures.
650  0 $a Economic history in motion pictures.
650  0 $a Motion pictures $x Economic aspects $z Germany.
650  0 $a Motion pictures $z Germany $x History $y 20th century.
650  7 $a Economics in motion pictures $2 fast $0 (OCoLC)fst02002942
650  7 $a Motion pictures $2 fast $0 (OCoLC)fst01027285
650  7 $a Motion pictures $x Economic aspects $2 fast $0 (OCoLC)fst01027318
651  0 $a Germany $x History $y 1918-1933.
651  7 $a Germany $2 fast $0 (OCoLC)fst01210272
655  7 $a History $2 fast $0 (OCoLC)fst01411628
776 0  $z 9789048551934
830  0 $a Film culture in transition
856 4  $3 Image $u http://www.booksonix.com/aup/cover_FinanceAndTheWorldEconomy_promo.jpg
941    $a 1
952    $l OVUX522 $d 20231219012106.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=6ECE64FC9E3C11EE84E191EF36ECA4DB

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