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03363aam a22005057i 4500 001 6ECE64FC9E3C11EE84E191EF36ECA4DB 003 SILO 005 20231219010058 008 230530s2023 ne a f 000 0 eng d 020 $a 9789463727136 020 $a 9463727132 035 $a (OCoLC)1379091595 040 $a NLAUP $b eng $c NLAUP $d YDX $d UKMGB $d OCLCF $d OCLCQ $d OCLCO $d QGJ $d OCLCQ $d NUI $d SILO 050 4 $a PN1993.Y66 $b W395 2023 072 7 $a APFA $2 bicssc 072 7 $a ATFA $2 thema 072 7 $a KFF $2 bicssc 072 7 $a KCSA $2 thema 082 04 $a 791.43553094309041 $2 23 100 1 $a Lyons, Owen, $e author. $4 aut 245 10 $a Finance and the world economy in Weimar cinema / $c Owen Lyons. 263 $a 202308 264 1 $a Amsterdam : $b Amsterdam University Press, $c [2023] 300 $a 274 pages : $b illustrations ; $c 24 cm. 490 1 $a Film Culture in Transition 520 3 $a "Between the World Wars, the contours of what would come to be understood as the world economy began to appear on in the cinemas of the Weimar Republic. To a non-specialist audience, it remained an invisible and barely understood effect on everyday life. "Finance and the World Economy in Weimar Cinema" argues that the popular understanding of this newly interconnected financial world order, and its new inhabitants, is essential to an understanding of the cultural products of the Weimar Republic - particularly in relation to ideas of gender, nation and modernity. This popular depiction of finance capital appears everywhere in 1920s Germany but has been overlooked, particularly in the films of the time. As a visual record, these films reveal the stock exchange as an essential space of modernity and coincide with the beginning of the abstraction of financial markets that would result in their increasing propagation as images and as a vast labour of representation throughout the twentieth century."-- $c Provided by vendor. 504 $a Includes bibliographical references (pages [257]-266) and index. 505 00 $g Bibliography $g Chapter 1: $t The Aggregate Image and the World Economy Macroeconomic Visions -- $g Chapter 2: $t Dr. Mabuse and His Doubles -- $g Chapter 3: $t Women and Financial Capital in Weimar Cinema -- $g Chapter 4: $t Finance, Liquidity and the Crisis of Masculinity in Weimar Cinema -- $g Chapter 5: $t The Aggregate Image and the World Economy Macroeconomic Visions -- $g Epilogue -- $g Fungibility and Authenticity -- $g Appendix -- $g Bibliography 648 7 $a 1900-1999 $2 fast 650 0 $a Economics in motion pictures. 650 0 $a Economic history in motion pictures. 650 0 $a Motion pictures $x Economic aspects $z Germany. 650 0 $a Motion pictures $z Germany $x History $y 20th century. 650 7 $a Economics in motion pictures $2 fast $0 (OCoLC)fst02002942 650 7 $a Motion pictures $2 fast $0 (OCoLC)fst01027285 650 7 $a Motion pictures $x Economic aspects $2 fast $0 (OCoLC)fst01027318 651 0 $a Germany $x History $y 1918-1933. 651 7 $a Germany $2 fast $0 (OCoLC)fst01210272 655 7 $a History $2 fast $0 (OCoLC)fst01411628 776 0 $z 9789048551934 830 0 $a Film culture in transition 856 4 $3 Image $u http://www.booksonix.com/aup/cover_FinanceAndTheWorldEconomy_promo.jpg 941 $a 1 952 $l OVUX522 $d 20231219012106.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=6ECE64FC9E3C11EE84E191EF36ECA4DBInitiate Another SILO Locator Search