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Title:
Golden Gate girls / Blue Queen Cultural Communication Ltd. presents ; producer, Law Kar, S. Louisa Wei ; music, Robert Ellis-Geiger, Trần Mạnh Tuần ; writer-director, S. Louisa Wei.
Publisher:
WMMWomen Make Movies,
Copyright Date:
2014
Description:
1 videodisc (90 minutes) : sound, color with black and white sequences ; 4 3/4 in
Subject:
Eng, Esther,--1914-1970.
Lesbian motion picture producers and directors--United States.
Lesbian motion picture producers and directors--Hong Kong.--Hong Kong.
Women motion picture producers and directors--United States.
Women motion picture producers and directors--Hong Kong.--Hong Kong.
Documentary films--United States.
Feature films.
Biographical films.
Documentary films.
Nonfiction films.
Other Authors:
Wei, S. Louisa, film producer. screenwriter, film producer. http://id.loc.gov/authorities/names/no2009061066
Law, Kar, 1941- film producer. http://id.loc.gov/authorities/names/n2003053619
Ellis-Geiger, Robert, composer. http://id.loc.gov/authorities/names/no2015068482
Trà̂n, Mạnh Tuà̂n, composer. http://id.loc.gov/authorities/names/no2015068274
Women Make Movies (Firm), film distributor. film distributor. http://id.loc.gov/authorities/names/n84173790
Lan hou wen hua chuan bo you xian gong si, production company. http://id.loc.gov/authorities/names/no2009167085
Hong Kong Arts Development Council, sponsoring body. http://id.loc.gov/authorities/names/no00011763
Notes:
Special appearance : Siu Yin Fei, Magaret Ma, Chin-Lee Wu, and Danny Li. "Hong Kong Arts Development Council"--Opening screen. Dedicated to all pioneer women filmmakers and in celebration of the centennial of Esther Eng, Southern China's first woman director. Originally issued as a motion picture in 2013.
Summary:
" In GOLDEN GATE GIRLS author and professor S. Louisa Wei tells the story of filmmaker Esther Eng, the first woman to direct Chinese-language film in the US, and the most prominent woman director in Hong Kong in the 1930's. A San Francisco native and open lesbian, her contribution to film history is sadly overlooked -- her 11 feature films mostly lost. After the retirement of director Dorothy Arzner in 1943 and before Ida Lupino began directing in 1949, Eng was the only woman directing feature length films in the US. Wei's documentary paints a fascinating picture of how Eng's career in filmmaking broke through gender and racial boundaries in Hollywood and Hong Kong, at a time when opportunities for Chinese women in the industry were few and far between. With a captivating archive of newly discovered images and interviews with those who knew her, Wei uncovers a rich chapter of film history that challenges both gender hierarchies and national narratives. Essential viewing for Cinema Studies and Asian American Studies. ."--Container.
OCLC:
(OCoLC)905503314
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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