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Title:

Dead history, live art? : spectacle, subjectivity and subversion in visual culture since the 1960s / edited by Jonathan Harris.

Publisher:

Liverpool University Press,

Copyright Date:

2007

Description:

267 pages : illustrations (some color), portraits ; 22 cm.

Subject:

Art, Modern--20th century.
Art, Modern--21st century.
Art and popular culture.

Other Authors:

Harris, Jonathan (Jonathan P.) http://id.loc.gov/authorities/names/nr96000590
Tate Gallery Liverpool. http://id.loc.gov/authorities/names/n87946136

Notes:

"Liverpool University Press + Tate Liverpool."--cover. Includes bibliographical references.

Contents:

Introduction: performance, critiques, ideology: contemporary art and art history in an age of visual culture / Jonathan Harris -- Namesake: who's performing whom? / Joshua Sofaer -- A great technician: document, process and persona in performance and the everyday / Richard Layzell -- Vaginal Davis does art history / Robert Summers -- Performativity, cultural-politics, and the embodiments of knowledge: an interview with Amelia Jones conducted by Jonathan Harris -- The fantasy of privacy: performance after minimalism / Frazer Ward -- Deterritorializing bodies: body art and the colonial world expositions / Jane Chin Davidson -- 'Do-it-yourself artworks: a user's guide / Anna Dezeuze -- Martha Rosler's fighting legions: Semiotics of the kitchen (1975/2003)-performance and the (video) document / August Jordan Davis -- Interaction/participation: disembodied performance in new media art / Beryl Graham.

Series:

Tate Liverpool critical forum ; 9

ISBN:

0853234388
9780853234388
0853231893
9780853231899

OCLC:

(OCoLC)61260297

Locations:

OVUX522 -- University of Iowa Libraries (Iowa City)