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03084aam a2200361 i 4500 001 F6CB4F3A08EC11E5A7E811F2DAD10320 003 SILO 005 20150602010155 008 141103s2015 lau b 001 0 eng d 020 $a 0807159441 020 $a 9780807159446 035 $a (OCoLC)894313622 040 $a BTCTA $b eng $e rda $c BTCTA $d BDX $d IBZ $d GZM $d ZCU $d NhCcYBP $d SILO 043 $a n-us-ny $a n-us-ny 050 4 $a ML3477 $b .J66 2015 082 04 $a 781.640904 $2 23 100 1 $a Jones, John Bush, $e author. 245 10 $a Reinventing Dixie : $b Tin Pan Alley's songs and the creation of the mythic South / $c John Bush Jones. 264 1 $a Baton Rouge : $b Louisiana State University Press, $c [2015] 300 $a xxi, 270 pages ; $c 24 cm 504 $a Includes bibliographical references (pages 245-247) and indexes. 505 0 $a Preface -- Acknowledgments -- Prologue : why Dixie? -- The alley and its denizens -- Weepy time down south : early sentiment and sentimentality -- Typecasting : Southern social and ethnic, that is -- "Y'all come" : Southern hospitality, conviviality, and leisure-time fun -- Dixie is for lovers -- Undercutting the idyllic : realism, satire, and parody -- "All aboard for Dixie land" : homesickness, traveling home, and "mammy songs" -- Glorifying Dixie : southern myths and Southern pride -- Moonlight and magnolias : the alley and the myth -- Epilogue : the years they drove old Dixie down. 520 $a Tin Pan Alley, once New York City's songwriting and recording mecca, issued more than a thousand songs about the American South in the first half of the twentieth century. In Reinventing Dixie, John Bush Jones explores the broad impact of these songs in creating and disseminating the imaginary view of the South as a land of southern belles, gallant gentlemen, and racial harmony. In profiles of Tin Pan Alley's lyricists and composers, Jones explains how a group of undereducated and untraveled writers--the vast majority of whom were urban northerners or European immigrants--constructed the specific and detailed images of the South used in their song lyrics. In the process of evaluating the origins of Tin Pan Alley's songbook, Jones analyzes these songwriters' attitudes about North-South reconciliation, ideals of honor and hospitality, and the recurring theme of the yearning for home. Though a few of the songs employed parody or satire to undercut the vision of a peaceful, romantic South, the majority ignored the realities of racism and poverty in the region. 650 0 $a Popular music $z Southern States $x History and criticism $y 20th century. 650 0 $a Popular music $z New York $z New York $x History and criticism $y 20th century. 651 0 $a Southern States $x History and criticism. $y 20th century $x History and criticism. 941 $a 5 952 $l OVUX522 $d 20191213011438.0 952 $l USUX851 $d 20160826110800.0 952 $l SOAX911 $d 20160506011001.0 952 $l OIAX792 $d 20160331012110.0 952 $l PRAX771 $d 20150702021049.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F6CB4F3A08EC11E5A7E811F2DAD10320Initiate Another SILO Locator Search