"Ahmanson Murphy fine arts imprint"--Prelim. p. Includes bibliographical references (p. 323-330) and index.
Contents:
Mark, motif, materiality: the Cézanne effect in the twentieth century / Richard Shiff. Impressionism, originality, and laissez-faire / Robert L. Herbert -- Dealing in temperaments: economic transformation of the artistic field in France during the second half of the nineteenth century / Nicholas Green -- Impressionist installations and private exhibitions / Martha Ward -- Framing the landscape / John House -- The environs of Paris / T.J. Clark -- The intransigent artist or how the Impressionists got their name / Stephen F. Eisenman -- Duranty on Degas: a theory of modern painting / Carol Armstrong -- Berthe Morisot and the feminizing of impressionism / Tamar Garb -- Camille Pissarro in 1880: an anarchistic artist in bourgeois society / Michel Melot -- Monet and the challenges to Impressionism in the 1880s / Paul Tucker -- Seurat's Grande jatte: an anti-utopian allegory / Linda Nochlin -- At the threshold of symbolism: Van Gogh's Sower and Gauguin's Vision after the sermon / Debora Silverman -- Mark, motif, materiality: the Cézanne effect in the twentieth century / Richard Shiff.
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