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03523aam a2200445 i 4500 001 FE2AF4C45F0711ECA70E6FDD2BECA4DB 003 SILO 005 20211217010126 008 210211t20212021enka b 001 0 eng d 010 $a 2020947114 020 $a 0199679126 020 $a 9780199679126 020 $a 0199679118 020 $a 9780199679119 035 $a (OCoLC)1237328533 040 $a S3O $b eng $e rda $c S3O $d OCLCF $d CDX $d OCLCO $d YDXIT $d YDX $d UAB $d MOE $d SRU $d NYP $d NUI $d SILO 050 4 $a PR2968 $b .F85 2021 082 04 $a 822.3/3 $2 23 100 1 $a Fuller, David, $d 1947- $e author. 245 10 $a Shakespeare and the Romantics / $c David Fuller. 246 14 $a Shakespeare & the Romantics 250 $a First edition. 264 1 $a Oxford, United Kingdom : $b Oxford University Press, $c 2021 300 $a viii, 275 pages : $b illustrations ; $c 21 cm. 490 1 $a Oxford Shakespeare topics 520 $a Romantic criticism, of which Shakespeare is the central figure, invented many of the modes of modern criticism. It is also distinct from many contemporary academic norms. Engaged with the social and intellectual currents of an age of revolutionary change, it is experimental, writerly, and individually expressive. Above all it is creative in response to the difficulties of understanding aesthetic experience in new ways, and in setting those experiences in new cultural and political contexts that Shakespeare's work helped to shape. This book presents the main currents of these exciting but relatively little known engagements with Shakespeare, and through Shakespeare with the theory and practice of criticism, in England, Germany, and France, from the 1760s in Germany to the aftermath of the Romanticism in France. It also discusses Shakespeare in the theatre of the period--realist stagings which prefigure Shakespeare films; adaptations which fitted Shakespeare to contemporary tastes; and bare-stage experiments which foreshadow modes of contemporary theatre. A chapter on scholarship in the period shows Shakespeare as central to modern editing and historical criticism. Much of the writing discussed is by men and women whose focus is not primarily critical but creative--poetry (Coleridge, Keats, Heine), fiction (Stendhal), drama (Lessing), or all three (Goethe, Hugo), cultural critique (Jameson, de Staël), philosophy (Hamann, Herder), politics (Hazlitt, Guizot), aesthetics (the Schlegel circle), or new original work in other media (Berlioz, Delacroix, Chassériau). It is writing directed to new modes of creating as well as new modes of understanding. -- Publisher's website. 504 $a Includes bibliographical references and index. 505 00 $t The English stage: the age of Siddons. $t England: genius with judgement -- $t Germany: "Our Shakerpeare" -- $t France: revolution and after -- $t Editors and scholars: inheritances and legacies -- $t The English stage: the age of Siddons. 600 10 $a Shakespeare, William, $d 1564-1616 $x Influence. 600 17 $a Shakespeare, William, $d 1564-1616. $2 fast $0 (OCoLC)fst00029048 650 0 $a Romanticism. 650 7 $a Influence (Literary, artistic, etc.) $2 fast $0 (OCoLC)fst00972484 650 7 $a Romanticism. $2 fast $0 (OCoLC)fst01100133 655 7 $a Literary criticism. $2 lcgft 655 7 $a Informational works. $2 lcgft 830 0 $a Oxford Shakespeare topics. 941 $a 2 952 $l OVUX522 $d 20231117022718.0 952 $l USUX851 $d 20220802020955.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=FE2AF4C45F0711ECA70E6FDD2BECA4DBInitiate Another SILO Locator Search