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05374aam a2200421 i 4500 001 4C2D6490440211EF98CC15ED37ECA4DB 003 SILO 005 20240717010108 008 240308t20232023ilua b 101 0 eng c 020 $a 9788393381838 020 $a 8393381835 035 $a (OCoLC)1425508079 040 $a INU $b eng $e rda $c INU $d INU $d OCLCO $d YDX $d WAU $d SILO 042 $a pcc 043 $a ee----- 050 4 $a NX456.5 S65 W43x 2021 111 2 $a What Are Our Genealogies? Engaged Figurations: Realism, Socialist Realism and Soc-Modernism in a Global Perspective (Conference) $d (2021 : $c Online) $0 https://id.loc.gov/authorities/names/no2024027046 245 10 $a Was socialist realism global? : $b modernism, soc-modernism, socially engaged figuration / $c edited by Magda Lipska, Piotr SÅodkowski. 264 1 $a [Warsaw] : $b Museum of Modern Art in Warsaw, $c 2023. 300 $a 338 pages : $b illustrations (some color) ; $c 20 cm + $e 1 art reproduction (10.5 x 15 cm). 490 1 $a Museum under construction books series ; $v no 21 500 $a Contributions documenting a conference, What Are Our Genealogies? Engaged Figurations: Realism, Socialist Realism and Soc-Modernism in a Global Perspective, organized at the Museum of Modern Art in Warsaw in April and May 2021, held online in five weekly sessions. An additional contribution by Ukrainian art historian Yevheniia Moliar was invited for this book. The accompanying art reproduction (postcard-sized), Alla Gorska, Tree of Life (ÐеÑево ÐиÑÑÑ), 1967, mosaic, Mariupol, Ukraine (now destroyed), photo: Yevhen Nikiforov, courtesy of Yevheniia Moliar, is related to her contribution. 504 $a Includes bibliographical references and index. 505 00 $g IV. $t Roundtable discussion. $g II. $t Introduction / $r Yevheniia Moliar. -- $t Modernism and its discontents: some reflections on the vexing problem of a center and its periphery / $r Partha Mitter. -- $g III. $t Essays. $g section I. $t Introduction to Section I. Socialist-realist genealogies, retributions, and retrospections / $r Magdalena Moskalewicz -- $t Social realisms, new aesthetics: engaged women photographers in interwar Central Europe / $r Julia Secklehner -- $g Picking out paths: a retrospective view into the 1930s / $r Agata Pietrasik -- $t Frescoes for the proletariat: symbolist influences in early Soviet monumental painting / $r Nadia Plungian. -- $g section II. $t Introduction to Section II. Toward socialist art: modernism, socialist realism, soc-modernism / $r Piotr SÅodkowski -- $t Representing the awkward class: images of peasants in socialist realism / $r JeÌroÌme Basin and Joanna Kordjak -- $t From the academy to revolution / $r VoÌ HoÌÌng ChuÌoÌng-ÄaÌi -- $t Afro-muralism: against black erasure in modern Mexican figurative painting / $r Tatiana Flores. -- $g section III. $t Introduction to Section III. $t Global socialist realisms: reassessing the models in China and internationally / $r Shengtian Zheng -- $t Commissioned modernism: Romania's recurring ideologies Ì£/ $r Mirela Tanta -- $t All that glitters is not gold: genealogies of realism in Ethiopia and beyond / $r Kate Cowcher -- $g Seeking a Chinese socialist-realist art in the 1950s and the 1960s / $r Anthony Yung. -- $g section IV. $t Introduction to Section IV. Postcommunism: a condition without a past? / $r Magda Lipska -- $g The battle of the dust jackets: representing Eastern Europe as socialist Europe / $r Katarzyna Murawska-Muthesius -- $t Long shadow: socialist realism's legacy in contemporary Chinese art / $r Carol Yinghua Lu -- $t Inconvenient cultural heritage: a trigger issue or Ukraine's gain? / $r Yevheniia Moliar. -- $g IV. $t Roundtable discussion. 520 $a "Was Socialist Realism Global? Modernism, Soc-Modernism, Socially Engaged Figuration seeks new perspectives both on socialist realism in a strict sense and on aspects of politically and socially engaged art of the twentieth century that employed broadly understood figuration. Contributors to the volume shed light on the genealogy of figuration, demonstrating its continuity, evolution, and transformation in Czechoslovakia, Poland, and Soviet Russia prior to the outbreak of the Second World War, reflecting on the ties between politics, nationalism, realism, and modernism. They also relate socialist art and socialist realism from Europe (both Western and Eastern) to analogous artistic practices in China, Ethiopia, Mexico, Vietnam, and beyond."--Page 4 of cover. 650 0 $a Socialist realism in art $v Congresses. 650 0 $a Socialist realism in art $z Europe, Eastern $v Congresses. 650 0 $a Figurative art $y 20th century $v Congresses. 650 0 $a Modernism (Art) $v Congresses. 655 7 $a Conference papers and proceedings. $2 lcgft $0 https://id.loc.gov/authorities/genreForms/gf2014026068 700 1 $a Lipska, Magda, $0 https://id.loc.gov/authorities/names/no2019145645 $e contributor. $e contributor. 700 1 $a SÅodkowski, Piotr, $0 https://id.loc.gov/authorities/names/nb2015007087 $e contributor. $e contributor. 710 2 $a Muzeum Sztuki Nowoczesnej w Warszawie, $0 https://id.loc.gov/authorities/names/no2010004942 $e publisher. $e publisher. 830 0 $a Museum under construction ; $0 https://id.loc.gov/authorities/names/no2011159368 $v no. 21. 941 $a 1 952 $l USUX851 $d 20240717023736.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=4C2D6490440211EF98CC15ED37ECA4DB 994 $a C0 $b IWAInitiate Another SILO Locator Search