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04053aam a2200481 i 4500 001 0C5EC2B271B711EB8A4F4B2E3BECA4DB 003 SILO 005 20210218010021 008 190804s2020 nyua b 001 0 eng 010 $a 2019033891 020 $a 1433172887 020 $a 9781433172885 020 $a 1433172895 020 $a 9781433172892 035 $a (OCoLC)1119119390 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d CHVBK $d OCLCO $d NUI $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a P94.5.A37 $b B47 2020 082 00 $a 305.896/073 $2 23 100 1 $a Berry, Venise T., $e author. 245 10 $a Racialism and the media : $b Black Jesus, Black Twitter, and the first Black American president / $c Venise T. Berry. 264 1 $a New York, NY : $b Peter Lang Publishing, Inc. , $c 2020. 300 $a 159 pages : $b illustrations ; $c 24 cm. 490 0 $a Black studies & critical thinking ; $v vol. 114 520 $a "Racialism and Media: Black-ish, Black Jesus and the First Black American President is an exploration of how the nature of racial ideology has changed in our society. Yes, there are still ugly racists who push uglier racism, but there are also popular constructions of race routinely woven into mediated images and messages. This book examines selected exemplars of racialism moving beyond traditional racism. In the Twenty-First century, we need a more nuanced understanding of racial constructions. Denouncing anything and everything problematic as racist or racism simply does not work, especially if we want to move toward a real solution to America's race problems. Racialism involves images and messages that are produced, distributed, and consumed repetitively and intertextually based on stereotypes, biased framing, and historical myths about African American culture. These images and messages are eventually normalized through the media, ultimately shaping and influencing societal ideology and behavior. Through the lens of critical race theory chapters examine issues of intersectionality in Crash, changing Black identity in Black-ish, the balancing of stereotypes in prime-time black male and female roles, the power of Black images and messages in advertising, the cultural wealth offered through Black Twitter, biased media framing of the first Black American President, the satirical parody of Black Jesus, contemporary Zip Coon stereotypes in film, the problematic popularity of ghettofabulous black culture, and finally the evolution of black representation in science fiction"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Racialism and the Media -- Contemporary Zip Coons: The Problem with Funny -- Ghettofabulous: How Low Can You Go? -- Advertising and Black Folks: Whassup? -- Black-ish and the Changing Nature of Black Identity -- Balancing Stereotypes: Black Male and Female Roles on Prime-Time Television -- A Satirical Parody: Black Jesus in the Hood -- Deconstructing Intersectionality in Crash -- Black Twitter, Interpretive Communities, and Cultural Wealth -- President Barack Obama: Race, Power and Biased Framing -- Science Fiction and Fantasy: Going Where Few Blacks have Gone Before. 648 7 $a 2000-2099 $2 fast 650 0 $a African Americans and mass media. 650 0 $a Race in mass media. 650 0 $a Race relations in mass media. 650 0 $a Mass media and race relations $z United States $x History $y 21st century. 650 7 $a African Americans and mass media. $2 fast $0 (OCoLC)fst00799719 650 7 $a Mass media and race relations. $2 fast $0 (OCoLC)fst01011363 650 7 $a Race in mass media. $2 fast $0 (OCoLC)fst01930803 650 7 $a Race relations in mass media. $2 fast $0 (OCoLC)fst01086565 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 830 0 $a Black studies & critical thinking ; $v v.114. 941 $a 1 952 $l OVUX522 $d 20220317032139.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=0C5EC2B271B711EB8A4F4B2E3BECA4DBInitiate Another SILO Locator Search