Includes bibliographical references (p. [401]-411).
Contents:
Reel reds, real Americans: politics and culture in the studio system -- Raising the cry of alarm: popular nationalism, World War Two, and the new political filmmaking -- Progressive producer in the studio system: film noir and the production of Murder, my sweet -- They must not escape: Cornered and the specter of postwar fascism -- You can't do that: from The brick foxhole to Crossfire -- It can happen here: noir style and the politics of antifascism in Crossfire -- Is it good for the Jews? The Jewish response to Crossfire -- Hate is like a loaded gun: shaping the public response to Crossfire -- Americanism on trial: HUAC, the Hollywood ten, and the politics of anti-communism -- The triumph of anti-communist Americanism: the blacklist and beyond.
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