Motets include 9 for 4 voices, 3 for 5 voices, and 9 for equal voices (with an alternate version in one instance). The remaining works include 4 Marian antiphons in alternatim (4 v.) and 5 canticles in alternatim (with sections ranging from 2-5 v.). Edited principally from manuscript Barcelona 682. Includes introd. and critical report. Includes bibliographical references.
Contents:
Appendix: fragment of Verbum caro factum est. Ave sanctissimum et gloriosum ; Caro mea vere est ; Incipit Lamentatio ; O vos omnes/Augustine, pater optime : contrafactum ; Peccantem me quotidie ; Peccavimus, Domine ; Timete Dominum ; Tribularer, si nescirem -- Motets for five voices. Iam non dicam ; Non turbetur cor vestrum ; Tulerunt Dominum -- Motets for equal voices. Alleluya Sancta Maria ; Ego sum panis vivus ; Gaudeamus omnes ; O salutaris Hostia/O vos omnes : contrafactum/Augustine, pater optime : contrafactum ; Puer natus est nobis ; Quae est ista [2 versions] ; Sancte pater, Augustine ; Venite, comedite ; Videntes stellam Magi -- Marian antiphons in alternatim. Ave Regina caelorum ; Regina caeli ; Salve, Regina (I) ; Salve, Regina (II) -- Canticles in alternatim. Magnificat (tone 1) ; Magnificat (tone 2) ; Magnificat (tone 4) ; Magnificat (tone 8) ; Te Deum -- Appendix: fragment of Verbum caro factum est.
Series:
Recent researches in the music of the Renaissance, 0486-123x ; 159
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