Includes bibliographical references (pages 214-232) and index.
Contents:
Machine generated contents note: 5. The Arbor and the Unreliable Monologue. 1. No Strings Attached: Framing Puppets in Movement -- The Double Life of Veronique and the Theatrical Mise en Abyme -- Dolls: Theatrical Bracketing and Filmic Distortion -- 2. Theatre, Memory and the Framing Voice -- The Jester. Competing Voices in Alternating Scenes -- All About My Mother. Filmic and Theatrical Repetitions -- 3. The Making and Unmaking of Theatre Rehearsals on Screen -- Theatre in Multiple Frames: L'Amourfou and the Self-defeating Rehearsal -- Synecdoche, New York: Film and Theatre as Mutually Contaminating Worlds -- pt. II Divided Attention: Intermedial Performers and their Split Audience -- 4. Spectatorship by Proxy meets Multimodal Performance -- Subversive Performances and Sonic Perspectives in Opening Night -- Conspicuous Camera and Utopian Spectatorship in A Tale of Winter -- Exit the Actor: Restrained Performances and the View from the Wings in I'm Going Home -- 5. Cinematic Monologues and their Spectatorial Address -- The Travelling Players and the Historical Monologue -- `Something to Do with Living': My Dinnerwith Andre'and the Ekphrastic Duologue -- Spalding Gray and the Autobiographical Monologue -- The Arbor and the Unreliable Monologue.
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