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02022cam a22003374a 4500 001 D3E65F70253811DF9B7CADF9A7D7520A 003 SILO 005 20100301073843 008 080917s2008 nyu b 000 0 eng 010 $a 2008040967 020 $a 0231512287 (e-book) 020 $a 9780231512282 (e-book) 020 $a 0231142501 (cloth : alk. paper) 020 $a 9780231142502 (cloth : alk. paper) 035 $a (OCoLC)184821697 040 $a DLC $c DLC $d SILO $d BAKER $d YDXCP $d C#P $d BWX $d CDX $d VVC $d IOE $d SILO 050 00 $a PN1998.3.S392 $b L36 2008 082 00 $a 791.4302/33092 $2 22 100 1 $a Langdon, Jennifer E. 245 1 $a Caught in the crossfire : $b Adrian Scott and the politics of Americanism in 1940s Hollywood / $c Jennifer E. Langdon. 260 $a New York : $b Columbia University Press, $c c2008. 300 $a xxvii, 414 p. ; $c 24 cm. 505 0 $a Reel reds, real Americans: politics and culture in the studio system -- Raising the cry of alarm: popular nationalism, World War Two, and the new political filmmaking -- Progressive producer in the studio system: film noir and the production of Murder, my sweet -- They must not escape: Cornered and the specter of postwar fascism -- You can't do that: from The brick foxhole to Crossfire -- It can happen here: noir style and the politics of antifascism in Crossfire -- Is it good for the Jews? The Jewish response to Crossfire -- Hate is like a loaded gun: shaping the public response to Crossfire -- Americanism on trial: HUAC, the Hollywood ten, and the politics of anti-communism -- The triumph of anti-communist Americanism: the blacklist and beyond. 504 $a Includes bibliographical references (p. [401]-411). 600 10 $a Scott, Adrian, $d 1912-1973 $x Criticism and interpretation. 630 00 $a Crossfire (Motion picture : 1947) 941 $a 2 952 $l OVUX522 $d 20180201065438.0 952 $l UTAX115 $d 20100301073843.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D3E65F70253811DF9B7CADF9A7D7520A 994 $a 01 $b IOEInitiate Another SILO Locator Search