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03854aam a2200565Ii 4500 001 27E7B73CF47811EDA3FB15433FECA4DB 003 SILO 005 20230517010023 008 220304t20212021enka cb 000 0 eng c 020 $a 0955339383 020 $a 9780955339387 020 $a 1739885007 020 $a 9781739885007 035 $a (OCoLC)1301942285 040 $a MZA $b eng $e rda $c MZA $d OCLCO $d OCLCF $d ZVP $d YDX $d UKMGB $d ERASA $d SILO 050 4 $a N7570 $b .R41 2021 082 04 $a 704.942 $2 23 100 1 $a Reeves, Matthew $c (Art historian), $e author. 245 14 $a The medieval body / $c authors, Matthew Reeves & Jana Gajdosova. 264 1 $a London : $b Sam Fogg ; $c [2021] 300 $a 1 volume (unpaged) : $b chiefly illustrations (chiefly color) ; $c 27 cm 500 $a "Published to accompany an exhibition by Sam Fogg Ltd, 15D Clifford Street, London ... The exhibition held at Luhring Augustine, 531 West 24th Street, New York, NY 10011, 21 January-12 March 2022"--Page opposite title page 504 $a Includes bibliographical references. 520 8 $a This fascinating and richly illustrated book accompanies The Medieval Body, the third in a series of vanguard exhibitions that places medieval masterpieces within a contemporary context.0The title of the exhibition refers to both a literal thread of figuration that runs throughout the works in the presentation, as well as the complex and often shifting symbolism of the human body in the medieval period. For thinkers and artists of that time, the human body served as a rich source of religious and philosophical significance, one that was in a constant state of flux between idealism and0disfigurement. While the early Middle Ages reserved representations of suffering bodies to the margins of their world, the later Middle Ages displayed wounded bodies in the most central spaces of public life. The crucified body of Christ and the wounded bodies of saints assumed important positions as they were displayed on altars, in processions, and on the exteriors of churches.0The Medieval Body tells a unique story about the human form as both a physical entity and a recognizable metaphor. Presenting works spanning the course of a thousand years, this exhibition offers insight into the body as an essential imagemaking tool with far-reaching implications for the development of art in the European Middle Ages.00Exhibition: Luhring Augustine, New York, USA (21.01.-12.03.2022). 610 20 $a Luhring Augustine (Gallery) $v Exhibitions. 610 20 $a Sam Fogg (Gallery) $v Exhibitions. 610 27 $a Luhring Augustine (Gallery) $2 fast $0 (OCoLC)fst01526277 610 27 $a Sam Fogg (Gallery) $2 fast $0 (OCoLC)fst01976071 650 0 $a Art, Medieval $v Exhibitions. 650 0 $a Human figure in art $v Exhibitions. 650 0 $a Art objects, Medieval $v Exhibitions. 650 0 $a Religious art $v Exhibitions. 650 0 $a Decorative arts $z Europe $v Exhibitions. 650 6 $a Art medieval $v Expositions. 650 6 $a Corps humain dans l'art $v Expositions. 650 6 $a Objets d'art medievaux $v Expositions. 650 6 $a Arts decoratifs $z Europe $v Expositions. 650 7 $a Art, Medieval. $2 fast $0 (OCoLC)fst00816576 650 7 $a Art objects, Medieval. $2 fast $0 (OCoLC)fst00815742 650 7 $a Decorative arts. $2 fast $0 (OCoLC)fst00889315 650 7 $a Human figure in art. $2 fast $0 (OCoLC)fst01896063 650 7 $a Religious art. $2 fast $0 (OCoLC)fst01985313 651 7 $a Europe. $2 fast $0 (OCoLC)fst01245064 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 700 1 $a Gajdosova, Jana, $e author. 710 2 $a Luhring Augustine (Gallery), $e host institution. 710 2 $a Sam Fogg (Gallery), $e current owner. $e current owner. 941 $a 1 952 $l OVUX522 $d 20231117014223.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=27E7B73CF47811EDA3FB15433FECA4DBInitiate Another SILO Locator Search