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01721aam a2200325 a 4500 001 D4B8D2B2EE4E11E0BFB3B9EB6AFF544E 003 SILO 005 20111004010313 008 101027s2011 cau b 001 0 eng 010 $a 2010043218 020 $a 1598843532 (ebook) 020 $a 9781598843538 (ebook) 020 $a 1598843524 (hard copy : alk. paper) 020 $a 9781598843521 (hard copy : alk. paper) 035 $a (OCoLC)669750079 040 $a DLC $c DLC $d SILO $d BTCTA $d YDXCP $d BWX $d CDX $d IUL $d SILO 050 00 $a PN1998.3.A526 $b B76 2011 082 00 $a 791.4302/33092 $2 22 100 1 $a Browning, Mark, $d 1966- 245 1 $a Wes Anderson : $b why his movies matter / $c Mark Browning. 260 $a Santa Barbara, Calif. : $b Praeger, $c c2011. 300 $a xiii, 190 p. ; $c 25 cm. 490 1 $a Modern filmmakers 504 $a Includes bibliographical references and index. 505 0 $a Take the money and run: Bottle rocket (1996) -- School daze: Rushmore (1998) -- Salinger reloaded: The royal Tenenbaums (2001) -- Cinema paradiso: The life aquatic with Steve Zissou (2004) -- Brief encounter or strangers on a train?: The Darjeeling Limited (2007) -- Where the wild things are: Fantastic Mr. Fox (2009) -- The last picture show: cinematic influences -- homage or divergence? -- The discreet charm of the bourgeoisie: Anderson's portrayal of race and class -- Man with a movie camera: Anderson's use of the frame -- The unbearable lightness of being Wes Anderson. 600 10 $a Anderson, Wes, $d 1969- $x Criticism and interpretation. 830 0 $a Modern filmmakers. 941 $a 1 952 $l OVUX522 $d 20171228054354.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D4B8D2B2EE4E11E0BFB3B9EB6AFF544EInitiate Another SILO Locator Search