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03291aam a2200469 i 4500 001 0E66BC2E177D11EC850ADFAD22ECA4DB 003 SILO 005 20210917010313 008 190828t20202020gw a b 001 0 eng d 010 $a 2019949155 020 $a 311057960X 020 $a 9783110579604 035 $a (OCoLC)1119986506 040 $a ERASA $b eng $e rda $c DLC $d CWR $d OCLCF $d OHX $d YDXIT $d IUL $d ERASA $d OCLCO $d IaU $d SILO 041 1 $a eng $h ger 042 $a lccopycat 043 $a n-us--- 050 00 $a PN1995.9.A8 $b L4413 2020 082 00 $a 791.43019 $2 23 100 1 $a Lehmann, Hauke, $d 1981- $e author. 240 10 $a Affektpoetiken des New Hollywood. $l English 245 10 $a Affect poetics of the New Hollywood : $b suspense, paranoia, and melancholy / $c Hauke Lehmann ; [translated by James Lattimer]. 264 1 $a Berlin : $b de Gruyter, $c [2020] 300 $a vii, 274 pages : $b illustrations (some color) ; $c 24 cm 490 1 $a Cinepoetics, $x 2569-4294 ; $v volume 7 520 $a How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history ? the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences ? to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, the book projects an original conception of film history: as an affective history which can be re-written up to the present day.--Publisher for German edition. 504 $a Includes bibliographical references (pages 256-269) and indexes. 648 7 $a 1900-1999 $2 fast 650 0 $a Motion picture audiences $x Psychology. 650 0 $a Motion pictures $x Psychological aspects. 650 0 $a Motion pictures $z United States $x History $y 20th century. 650 7 $a Affect (Psychology) in the performing arts. $2 fast $0 (OCoLC)fst02002546 650 7 $a Motion picture audiences $x Psychology. $2 fast $0 (OCoLC)fst01027120 650 7 $a Motion pictures. $2 fast $0 (OCoLC)fst01027285 650 7 $a Motion pictures $x Psychological aspects. $2 fast $0 (OCoLC)fst01027364 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Lehmann, Hauke, 1981- $s Affektpoetiken des New Hollywood. English. $t Affect poetics of the new Hollywood $d Berlin ; Boston : Walter de Gruyter GmbH, [2020] $z 9783110580761 $w (OCoLC)1132419373 830 0 $a Cinepoetics ; $v v. 7. 941 $a 1 952 $l OVUX522 $d 20220317020031.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=0E66BC2E177D11EC850ADFAD22ECA4DBInitiate Another SILO Locator Search