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03951aam a2200433 i 4500 001 68A7A91E440211EF98CC15ED37ECA4DB 003 SILO 005 20240717010108 008 240131t20242024gw ah b 001 0 eng c 020 $a 3836597225 020 $a 9783836597227 020 $a 3836595656 020 $a 9783836595650 035 $a (OCoLC)1419250187 040 $a YDX $b eng $e rda $c YDX $d UUM $d OCLCO $d OCLCQ $d OHX $d YDX $d XII $d OCLCO $d BUB $d IWA $d SILO 041 1 $a spa $a ger $a fre $a spa $h eng 050 4 $a QC495 L67x 2024 100 1 $a Loske, Alexandra, $d 1969- $e author. $1 https://id.oclc.org/worldcat/entity/E39PCjwpw8w36H7Bcd8ymgYbbb 245 14 $a The book of colour concepts 1686-1963 / $c Alexandra Loske (ed.), Sarah Lowengard. 246 30 $a Book of color concepts 1686-1963 260 $a [S.l.] : $b TASCHEN, $c 2024. 300 $a 2 volumes (845 pages) : $b color illustrations, facsimiles ; $c 31 cm 546 $a Text in English, German, French and Spanish. 500 $a "Introduction to vol. 1 and all chapter texts (vols. 1 and 2) by Alexandra Loske Introduction to vol. 2 by Sarah Lowengard"--Colophon, v. 2. 500 $a "German translation: Kurt Rehkopf, Hamburg French translation: Jean-François Cornu, Hélène Geniez, France Spanish translation: Daniel Montsech Angulo for LocTeam, Barcelona"--Colophon, v. 2. 500 $a Issued in slipcase. 504 $a Includes bibliographical references and index. 505 00 $g Volume 2. $t Interaction and abstraction: Bauhaus and beyond 1919-1963. $r Sarah Lowengard -- $t Pyramids of colour: early charts and tables 1686-1799 -- $t The shape of colour: circles, wheels and globes 1708-1896 -- $t New elucidations: the rise of colour theory 1704-1864 -- $t Colours as guiding lights: nomenclatures and standards 1821-1950 -- $g Volume 2. $t The materiality of colour concepts / $r Sarah Lowengard -- $t Theory and practice: the teaching of colour 1816-1918 -- $t Colour breaking free: the early 20th century 1902-1933 -- $t The sound of colour: spiritualism, occultism and music 1869-1946 -- $t Looking beyond: Eastern colour concepts 1876-1938 -- $t Interaction and abstraction: Bauhaus and beyond 1919-1963. 520 $a "The 67 works shown and discussed here are representative of the rich and varied history of colour concepts since the 17th century, and while we have selected many familiar examples of colour concepts that are firmly established in colour history, we hope to have succeeded in putting them in a wider cultural context and to have looked at them with fresh eyes. In addition to these 'classic' examples in their field we have made a particular effort to feature some lesser-known, or more obscure works that deserve to be considered for their aesthetic and theoretical appeal and importance. One further aim is to give more room to works on colour written, published and illustrated by women in the last two centuries. The historical and geographical range offered here is wide, with examples from Europe, the United States and parts of Asia, but we have also sought to be as inclusive as possible with regard to genre and style."--Introduction, pages 7-8. 520 $a "From the 17th century to the advent of the digital age, color theories have been illustrated with opulent wheels, polychrome charts, and meticulous diagrams. Gathering over 65 works from around the world, with more than 1,000 images, this edition traces the many hues of a subject that inspired Newton, Goethe, SanzoÌ Wada, the Bauhaus, and many more."-- $c Provided by publisher. 650 0 $a Color $v Bibliography. 650 0 $a Colors $v Bibliography. 650 0 $a Color $x Study and teaching. 655 7 $a Annotated bibliographies. $2 lcgft 700 1 $a Lowengard, Sarah, $e author. $1 https://id.oclc.org/worldcat/entity/E39PCjDB9PmRc88YyBqKdv8WcP 941 $a 1 952 $l USUX851 $d 20240717030129.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=68A7A91E440211EF98CC15ED37ECA4DB 994 $a C0 $b IWAInitiate Another SILO Locator Search