Includes bibliographical references (pages 113-120), filmography (pages 121-124) and index.
Contents:
5. Sound effects. 2. Inscribing authorship -- Biographical information -- Coming to cinema -- Duras' feminist engagement -- Nathalie Granger and feminism -- Context of production, direction and reception -- Performing authorship and authorial self-inscription -- 3. Desynchronisation, subversion and the senses -- Desynchronisation, poetic effect, memory and embodiment -- Representing the unrepresentability of pain through audio-visual disjunction -- Actors, movements and vestibular perception -- Desynchronisation and synaesthesia -- 4. Multisensorial visuality -- Intercultural memories -- Hapticity -- Olfaction -- Water, light and thermoception -- Camera movement and the vestibular sense -- Mirrors and disorientation -- The colour blue and sensorial memories -- Tableaux vivants, `nudes' and black screens -- 5. Soundscape: sonic aesthetics and the feminine -- The voice -- The vice consul's scream -- Silence -- Writing and the voice -- Music -- Sound effects.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.