Translated from the French Henri Cartier-Bresson: Revoir Paris by Ruth Taylor and Jill Phythian. Includes bibliographical references.
Contents:
The bow and the arrow / Agnes Sire -- The restless wanderer / Anne de Mondenard -- Paris, the artistic crucible -- Professional engagement -- The liberation of Paris -- Portraits--Act I -- A geometrician of life -- Portraits--Act II -- An eye for rebellion -- A change of direction -- Drawing conclusions -- Portraits--Act III -- List of exhibited works and documents.
Summary:
Henri Cartier-Bresson (1908-2004) was "the eye of the 20th century" and one of the world's most acclaimed photographers. Paris was his home, on and off, for most of his life and the photographs he took of the city and its people are some of his most recognizable and beloved images. In this volume are 160 photographs taken from a career lasting more than fifty years. Mostly in black and white, this selection reveals the strong influence of pioneering documentary photographer Eugene Atget (1857-1927) on Cartier-Bresson, and the clear visual links with surrealism that infused his early pictures. After an apprenticeship with cubist painter Andr Lhote in 1932, Cartier-Bresson bought his first Leica, a small portable camera that allowed him to capture the movement and rhythms of daily life in Paris. Camera in hand, Cartier-Bresson observed the Liberation from the Nazis in August 1944 from close quarters and the civil disturbances of May 1968. For decades he also thrived in capturing native Parisians going about their lives in the city, as well as photographing celebrated artists, writers, politicians, and anonymous citizens.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.