Introduction : The Social and Cultural History of American Film -- The Silent Era. Introduction : Intolerance and the Rise of the Feature Film ; Workers in Early Film ; Silent Cinema as Historical Mythmaker ; The Revolt against Victorianism ; Primary Sources (Edison v. American Mutoscope Co. ; “The Nickel Madness” ; Mutual Film Corp. v. Industrial Commission of Ohio) ; Fighting a Vicious Film : Protest against The Birth of a Nation (Boston Branch of the National Association for the Advancement of Colored People, 1915 ; Analysis by Francis Hackett) ; "Seeing Our Boys 'Over There'" -- Hollywood's Golden Age. Introduction : Backstage during the Great Depression : 42nd Street, Gold Diggers of 1933, and Footlight Parade ; Depression America and Its Films ; The Depression's Human Toll ; Depression Allegories ; African Americans on the Silver Screen ; Primary Sources (The Introduction of Sound ; "Pictures That Talk" ; Review of Don Juan ; "Silence is Golden") ; Film Censorship (The Sins of Hollywood, 1922 ; "The Don'ts and Be Carefuls" ; The Motion Picture Production Code of 1930 ; The State Department on Hollywood in Germany, 1934 ; The State Department on Hollywood in Latin America, 1934) -- Hollywood in the World War II Era. Introduction : Hollywood's World War II Combat Films ; Movies and Great Britain ; Blockbuster as Propaganda ; John Wayne and Wartime Hollywood ; The Woman's Film ; Primary Sources (Sumner Welles to Franklin Roosevelt, 1941 ; The 1941 Academy Awards : Hollywood and the President ; Correspondence between Walter Wanger and Stephen Early ; Franklin D. Roosevelt to the Academy Awards Dinner ; Walter Wanger to Stephen Early ; Madeleine Carroll to Franklin Roosevelt ; U.S. Senate Subcommittee Hearings on Motion Picture and Radio Propaganda, 1941 ; Excerpts from The Government Information Manual for the Motion Picture Industry, 1942 ; Bureau of Motion Pictures Report : Casablanca) -- Postwar Hollywood. Introduction : Double Indemnity and Film Noir ; The Red Scare in Hollywood ; Movies Grow Up ; The Morality of Informing ; Science Fiction as Social Commentary ; Primary Sources (United States v. Paramount Pictures, Inc., 1947 ; Hearings Regarding the Communist Infiltration of the Motion Picture Industry ; U.S. House of Representatives Committee on Un-American Activities, 1947 ; U.S. House of Representatives Committee on Un-American Activities, 1951 ; The Waldorf Statement) -- Hollywood in an Age of Turmoil. Introduction : Bonnie and Clyde ; The Dark Side of the 1960s ; Films of the Late 1960s and Early 1970s ; Film Capital and National Capital ; Reaffirming Traditional Values ; Presenting African Americans on Film ; Coming to Terms with the Vietnam War ; Primary Sources (Raymond Caldiero to Herbert L. Porter, 1972) -- Hollywood in the Post-Studio Era. Introduction : A Changing Hollywood ; Feminism and Recent American Film ; The Screen and the Cross ; Social Revolution on Screen ; Encountering Distant Lands ; Superheroes for the Twenty-First Century ; Movies and the Construction of Historical Memory.
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