Includes bibliographical references (p. 221-233) and index.
Contents:
Introduction / Laurens De Vos and Graham Saunder -- Surrounding voices. Reviewing the fabric of Blasted / Elaine Aston -- Sarah Kane before Blasted: the monologues / Dan Rebellato -- "Looks like there's a war on": Sarah Kane's Blasted, political theatre and the Muslim Other / Aleks Sierz -- Staging power: the politics of sex and death in Seneca's Phaedra and Kane's Phaedra's love / Zina Giannopoulou -- The Beckettian world of Sarah Kane / Graham Saunders -- Sarah Kane, experiential theatre and the revenant avant-garde / Clare Wallace -- Subjectivity, responsibility and representation . The voice of Kane / Ehren Fordyce -- "I love you now": time and desire in the plays of Sarah Kane / Robert I. Lublin -- Sarah Kane and Antonin Artaud: cruelty towards the subjectile / Lauren De Vos -- Posthumanist identities in Sarah Kane / Julie Waddington -- Neither here nor there: theatrical space in Kane's work / Annette Pankratz -- "Victim, Perpetrator, bystander": staging the impalcable / Peter A Campbell -- Under the surface of things: Sarah Kane's Skin and the medium of theatre / Matreusz Borowski -- "We are anathema"- Sarah Kane's plays as postdramatic theatre versus the "dreary and repubnant tale of sense" / Eckart Voigts-Virchow -- Epilogue: "the mark of Kane" / Edward Bond.
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