Includes bibliographical references (pages 243-261) and index.
Contents:
Introduction: moving images on the margins -- Art, experimentation, and the avant-garde in East Germany -- Heraklesmaschine: Lutz Dammbeck's experimental cinema and the expropriation of the senses -- Lines of communication: mail art and the connectivity of experimental film -- Heart, horn, skin, shrine: film and the autoperforating body of/at work -- Film experiments, design anthropology, and the politics of vision: Yana Milev's Theory of practice -- Conclusion: images of moving margins.
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