Includes bibliographical references (p. 216-251) and index.
Contents:
The power of images in early modern England : prejudices against and defenses of painting and playing -- John Lyly's campaspe and the subtle eroticism of the Elizabethan miniature -- Dramatic uses of portrait properties and face-painting in the boys' theater at St Paul's -- Scandalous counterfeiting : iconophobia, poison, and painting in Arden of Faversham -- "Stretch thine art" : painting passions, revenge, and the painter addition to The Spanish tragedy -- Images lawful and beguiling : ambivalent responses to painting in Shakespeare's drama.
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