Includes bibliographical references (pages 229-237) and index.
Contents:
Make way for the Romanian new wave -- The aesthetics of the new wave cinema -- Antiheroes : stories of marginality -- Cinematic symptoms and psychoanalytical keys -- Semiological and iconological interpretations -- The dark humor of the Romanian filmmakers -- Representing women : towards a new cinema -- The absent spectator -- References.
Summary:
"By searching for similarities among some of the most important cinematic styles and trends, this study reveals that Romanian young directors working after 2000 are part of a larger, European, way of filmmaking. Looking for elements of cohesion, the discussion moves from specific themes, motifs and narratives to the philosophy of a whole generation of filmmakers"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.