Catalog of an exhibition held at Institute of Contemporary Art, Miami, December 1, 2017-February 26, 2018. Includes bibliographical references.
Contents:
Foreword -- Acknowledgments -- Introduction / Alex Gartenfeld -- Pablo Picasso ; Philip Guston ; Yves Klein ; Andy Warhol ; Roy Lichtenstein ; John Baldessari ; Faith Ringgold -- Studio/Streets: Faith Ringgold's sense of practice / Sampada Aranke -- Bruce Nauman ; Edward and Nancy Kienholz ; Giulio Paolini ; Paul McCarthy -- House, yard, studio, set: Paul McCarthy's working spaces / John C. Welchman -- Tetsumi Kudo -- Whose portrait is it? Tetsumi Kudo's turn from object to subject in the 1970s / Tomohiro Masuda -- Joseph Beuys ; Dieter Roth ; Daniel Spoerri ; Christo ; Lucas Samaras -- Antinomies of the studio: Artistic production in the social factory / Gean Moreno -- Carolee Schneemann ; Jay DeFeo ; Heidi Bucher ; Miriam Schapiro -- Pose and exposure: Feminist studio practices of the 1960s and 1970s / Stephanie Seidel -- Marc Camille Chaimowicz ; Stuart Brisley -- ZL656395C / Stuart Brisley -- Gilbert & George ; Art & Language -- How to make an artwork: Some imaginary relations to relations of production / John Miller -- Alan Charlton ; Hanne Darboven ; Martin Kippenberger ; Jorg Immendorff ; Anna Oppermann -- Rehearsing painting / Sabeth Buchmann -- Andrea Zittel ; Matthew Barney ; Cheryl Donegan ; David Hammons -- Work/Out / Dieter Roelstraete -- Jason Rhoades ; Sean Landers ; Sturtevant ; Rosemarie Trockel ; Peter Fischli and David Weiss ; Rodney Graham ; Joyce Pensato ; Mike Nelson ; Rochelle Feinstein -- A space without a function / Jacob Proctor -- Margaret Honda ; Wade Guyton ; Kerry James Marshall -- Studio systems / Tim Griffin -- Frances Stark ; Nicole Eisenman ; Jana Euler -- Studio domains / Caroline Busta -- Avery Singer ; Yuri Pattison ; Neil Beloufa ; Laure Prouvost ; Matthew Angelo Harrison.
Summary:
Myths of our contemporary world would seem to make the studio obsolete, and yet the traditional aura of the artist's space persists. The Everywhere Studio looks at its ongoing importance through its history and its politics. It poses questions such as how economic forces, and changes to labor and media, have complicated the idea of the studio. Bringing together leading postwar and contemporary artists in the field of painting, sculpture, video, and installation, this book offers a chronological investigation into how technology, identity, and a shifting economy have affected the relationships of artists to their sites of production and modes of creating and living.00Exhibition: Institute of Contemporary Art, Miami, United States (01.12.2017-26.02.2018).
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.