Professional Shakespeare productions in the British Isles, January-December 2003 / James Shaw -- Toward a new biography of Shakespeare / James Shapiro -- Jonson, Shakespeare and the exorcists / Richard Dutton -- "Lending soft audience to my sweet design": shifting roles and shifting readings of Shakespeare's "A lover's complaint" / Heather Dubrow -- "Armed at point exactly": the ghost in Hamlet / R.A. Foakes -- Writing about motive: Isabella, the duke and moral authority / Anna Kamaralli -- Writing performance: how to elegize Elizabethan actors / Tobias Döring -- Elizabeth Montagu: "Shakespeare's poor little critick"? / Fiona Ritchie -- Rewriting Lear's untender daughter: Fanny Price as a regency Cordelia in Jane Austen's Mansfield Park / Clara Calvo -- Prequel as palinode: Mary Cowden Clarke's Girlhood of Shakespeare's heroines / Sarah Annes Brown -- Shakespeare among the workers / Andrew Murphy -- Virginia Woolf reads Shakespeare: or, her silence on master William / Julia Briggs -- Shakespeare and the invention of the epic theatre: working with Brecht / Charles Edelman -- Dramatizing the dramatist / Peter Holland -- Shakespeare in drama since 1990: vanishing act / Jill L. Levenson -- Writing about [Shakespearian] performance / Michael Dobson -- Shakespeare and the prospect of presentism / Ewan Fernie -- Writing Shakespeare in the global economy / Mark Thornton Burnett -- The "complexion" of Twelfth night / Janet Clare -- Translation as appropriation: Vassilis Rotas, Shakespeare and modern Greek / Tina Krontiris -- How old were Shakespeare's boy actors? / David Kathman -- Mistress Taleporter and the triumph of time: slander and old wives' tales in The winter's tale / Marion Wells -- Shakespeare performances in Ireland, 2002-2004 / Janet Clare -- Shakespeare performances in England, 2004 / Michael Dobson -- Professional Shakespeare productions in the British Isles, January-December 2003 / James Shaw -- Year's contributions to Shakespeare studies.
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