Includes bibliographical references (p. [221]-228) and index.
Contents:
The medieval imaginary -- Time machines -- The waywardness of cinematic pastiche in First knight and A knight's tale -- Shooting the messenger : Luc Besson at war with Joan of Arc -- Theaters of war : paracinematic returns to the Kingdom of heaven -- Digital divagations in a hyperreal Camelot : Antoine Fuqua's King Arthur -- Postmedieval paranoia : the new Middle Ages of Night watch and The Da Vinci code.
Summary:
"The work introduces rapidly burgeoning field of medieval film studies; explores how a vast array of films contributes to the modern vision of life in the Middle Ages; is concerned with how time itself functions in cinematic representations of the medieval; and offers detailed considerations of specific examples of representations of medievalism in recent films"--Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.