Catalogue of an exhibition held at Anton Kern Gallery, New York, September 10 - October 29, 2015. Includes bibliographical references.
Contents:
Freedom of unfinishedness -- List of works -- Biography -- Bibliography.
Summary:
In a radical act of transformation, Mark Grotjahn (b. Pasadena, 1968; lives and works in Los Angeles) turns an ordinary wobbly cardboard box into a precious and solid work of art: a bronze sculpture on a pedestal. With rough cutouts for mouths and eyes, cardboard rolls for noses, and corrugated surfaces, the assemblages recall primitive infantile masks. Grotjahn casts them in bronze and then paints them in a gestural expressive style with streaks of bright oil paint. Set on pinewood bases, the masks are paintings and three-dimensional objects at once: not just mere combinations of two techniques but genuine hybrids, never-before-seen chimeras. They enrich the genealogy of modern art, and of painted sculpture more particularly, with a new facet, engaging the modernist ideas of found object, assemblage, and welded sculpture in dialogue and harking back to the masks and sculptures of classical modernism inspired by non-Western art.
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