Film, resonance and the senses -- Seeing with oneself: Regarding Jean-Luc Nancy on film -- La Pointe courte: Avoid contact with the eyes and skin, may cause irritation -- Time of the Wolf: Denatured disaster movie, underwhelming apocalypse, or the new normal? -- Teenage dreams in The Seventh Continent -- Le Bonheur: Happiness made and remade -- The Singular Plural of Seeing in Cleo from 5 to 7 -- Caché: If these walls could talk -- Bad Resonance in The Piano Teacher -- Documenteur: A resonant picture -- Bloody Resonance.
Summary:
"Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies' bodily turn: resonance. In keeping with the soft touch that characterises some of this turn's critical literature - the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover's body - resonance has been brushed over. Through the work of three leading figures in European cinema, Agnès Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film."-- Publisher description.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.