Includes bibliographical references (pages 325-384) and index.
Contents:
Introduction : Trisha Brown, back to the future -- Seeing the score : Trillum (1962) -- Memory and archive : A string: homemade, motor, outside (1966) -- In a crack between dance and art : "equipment dances" (1968-1971) -- The economy of gesture : the "accumulations" (1971-1973) -- To diagram, to dance : Locus (1975) -- Anthologizing process : Line up (1977) -- Subjectivity, desire, and the thinking body : Water motor (1978) -- From the white cube to the black box (1979-1981) -- The name of the game : Set and reset (1983) and Lateral pass (1985) -- Abstraction and theatricality : Newark (Niweweorce) (1987) -- Epilogue : Trisha Brown's archival imagination.
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