Introduction: Touristic Illusions and Realities -- Initial Touristic Incursions to Africa -- Hunting in Africa: Invisible Guides, Big Game, and Bigger Egos -- Profits and Propaganda: Tourism in Colonial Africa -- Paradoxes of Independence: Modernizing by Promoting Primitivism -- The Touristic Invention of the African Camera Safari -- Going Home: The Diasporic Quest for Belonging through "Roots" Tourism -- Controversial New(er) Forms of Tourism in Africa.
Summary:
"Since the nineteenth century, foreign tourists and resident tourism workers in Africa have mutually relied upon notions of exoticism, but from vastly different perspectives. Many of the countless tourists who have traveled to the African continent fail to acknowledge or even realize that skilled African artists in the tourist industry repeatedly manufacture "authentic" experiences in order to fulfill foreigners' often delusional, or at least uninformed, expectations. These carefully nurtured and controlled performances typically reinforce tourists' reductive impressions-formed over centuries-of the continent, its peoples, and even its wildlife. In turn, once back in their respective homelands, tourists' accounts of their travels often substantiate, and thereby reinforce, prevailing stereotypes of "exotic" Africa. Meanwhile, Africans' staged performances not only impact their own lives, primarily by generating remunerative opportunities, but also subject the continent's residents to objectification, exoticization, and myriad forms of exploitation"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.