In previous studies, Jan Strybol pointed out that sculpture in Northern Nigeria - contrary to what is generally assumed - flourished. Wood sculptures could be found just about everywhere, with the exception of a part of the Far North.0In this study, the author first examines the sculptural traditions of a number of peoples in Central Nigeria, in particular from the Jos Plateau and from the valley of the Middle Benue to the source area of the Taraba River. These peoples can be described as non-centralized communities where mainly art in perishable materials was produced by part-time specialists, in contrast to the centralized empires in the South (Ife, Benin) where full-time specialists created complex works of art in durable materials (stone, bronze, iron). Perhaps the most well-known ethnic group in the Middle Benue region among aficionados of African art are the Mumuye. Since the end of the last century, the traditional rites of the Mumuye have rapidly disappeared as a result of the advance of the world religions and with them the Mumuye sculpture so much admired in Europe and America.0In addition to wood sculpture, Jan Strybol also pays attention to objects in bronze, iron, terracotta and other materials. Until now, these art forms have been very underexposed and have now almost completely disappeared. Finally, the author also elaborates on some artistic achievements of a number of little-known residual groups within the Mumuye territory, which can boast a rich art tradition.
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