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02103aam a2200325Ii 4500 001 11C170E6101B11EA8DA14E4D97128E48 003 SILO 005 20191126010151 008 181119t20192019ne ah b 001 0 eng d 020 $a 9078088761 020 $a 9789078088769 035 $a (OCoLC)1069101896 040 $a ERASA $b eng $e rda $c ERASA $d OCLCQ $d QGK $d YUS $d OCLCO $d JPG $d CHVBK $d OCLCO $d UAB $d UtOrBLW $d SILO 050 4 $a N6512.5.C64 $b Z66 2019 $0 http://id.loc.gov/authorities/classification/N 082 04 $a 069 100 1 $a Zonnenberg, Nathalie, $e author. $0 http://id.loc.gov/authorities/names/no2007084110 245 10 $a Conceptual art in a curatorial perspective : $b between dematerialization and documentation / $c Nathalie Zonnenberg. 264 1 $a Amsterdam : $b Valiz, $c 2019. 300 $a 237 pages : $b illustrations, facsimiles ; $c 24 cm. 490 1 $a Vis-aÌ-vis 504 $a Includes bibliographical references (pages 207-221) and index. 520 8 $a Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation' focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization. 650 0 $a Conceptual art $v Exhibitions. $0 http://id.loc.gov/authorities/subjects/sh2008101518 650 0 $a Art $x Exhibition techniques. $0 http://id.loc.gov/authorities/subjects/sh87005073 650 7 $a Concept-art. $2 gnd $0 (DE-588)4032354-7 650 7 $a Museumskunde. $2 gnd $0 (DE-588)4170787-4 830 0 $a Vis-aÌ-vis (Amsterdam, Netherlands) $0 http://id.loc.gov/authorities/names/no2017084768 941 $a 1 952 $l OVUX522 $d 20191213022301.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=11C170E6101B11EA8DA14E4D97128E48Initiate Another SILO Locator Search