The Locator -- [(subject = "Classical antiquities")]

403 records matched your query       


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03051aam a22004338i 4500
001 F9D712489F4211EBBB7E29A634ECA4DB
003 SILO
005 20210417010108
008 200924s2021    ilu      b    001 0 eng  
010    $a 2020043888
020    $a 022675703X
020    $a 9780226757032
020    $a 022675698X
020    $a 9780226756981
035    $a (OCoLC)1197568081
040    $a ICU/DLC $b eng $e rda $c DLC $d OCLCO $d BDX $d YDX $d OCLCF $d UKMGB $d SILO
042    $a pcc
043    $a e-it---
050 00 $a KKH3183 $b .G737 2021
100 1  $a Greenland, Fiona, $e author.
245 10 $a Ruling culture : $b art police, tomb robbers, and the rise of cultural power in Italy / $c Fiona Greenland.
263    $a 2102
264  1 $a Chicago : $b University of Chicago Press, $c 2021.
300    $a 1 volume ; $c 23 cm
504    $a Includes bibliographical references and index.
505 0  $a Introduction: the world's greatest cultural power -- Art squad agonistes -- The American price -- Distributing sovereignty : from fascism to the art squad -- Tomb robbers and cultural power from below -- Made in Italy -- Farewell to the tomb robber.
520    $a "A major, on-the-ground look at antiquities looting in Italy. More looting of ancient art takes place in Italy than in any other country. Ironically, Italy trades on the fact to demonstrate its cultural superiority over other countries. And, more than any other country, Italy takes pains to prevent looting by instituting laws, cultural policies, export taxes, and a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In fact, Italy is widely regarded as having invented the discipline of art policing. In 2006 the then-president of Italy declared his country to be "the world's greatest cultural power." Why do Italians believe this? Why is the patria, or "homeland," so frequently invoked in modern disputes about ancient art, particularly when it comes to matters of repatriation, export, and museum loans? Fiona Greenland's Ruling Culture addresses these questions by tracing the emergence of antiquities as a key source of power in Italy from 1815 to the present. Along the way, it investigates the activities and interactions of three main sets of actors: state officials (including Art Squad agents), archaeologists, and illicit excavators and collectors"-- $c Provided by publisher.
650  0 $a Classical antiquities thefts $z Italy.
650  0 $a Art thefts $x Law and legislation $z Italy.
650  0 $a Cultural property $z Italy.
651  0 $a Italy $x Law and legislation. $x Law and legislation.
650  7 $a Art thefts $x Law and legislation. $2 fast $0 (OCoLC)fst01909236
650  7 $a Classical antiquities thefts. $2 fast $0 (OCoLC)fst00863464
650  7 $a Cultural property. $2 fast $0 (OCoLC)fst00885014
651  7 $a Italy. $2 fast $0 (OCoLC)fst01204565
776 08 $i ebook version : $z 9780226757179
941    $a 1
952    $l OVUX522 $d 20220526020116.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F9D712489F4211EBBB7E29A634ECA4DB

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