The Locator -- [(subject = "Race in art")]

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001 375F42DAE67F11EE94C7D61345ECA4DB
003 SILO
005 20240320010038
008 220908t20222022it a     bc   000 0 eng  
020    $a 8867495496
020    $a 9788867495498
035    $a (OCoLC)1343949164
040    $a NLC $b eng $e rda $c NLC $d OCLCF $d C3L $d CNNGC $d ERASA $d UBC $d NLC $d CMA $d YDX $d NYP $d OCLCO $d OCLCQ $d SILO
042    $a lac
050  4 $a N7153.H7927 $b A4 2022
082 04 $a 709 $q OCoLC
245 00 $a Sasha Huber : $b you name it / $c edited by Mark Sealy and Gae˜tane Verna.
246 34 $a You name it : $b Sasha Huber
250    $a First edition.
264  1 $a Milan, Italy : $b Mousse Publishing ; $c 2022.
300    $a 189 pages : $b illustrations (some colour) ; $c 28 cm
500    $a This publication was produced in conjunction with Sasha Huber's exhibition YOU NAME IT, organized and circulated by The Power Plant Contemporary Art Gallery, Toronto, first presented at Kunstinstituut Melly, Rotterdam, April 9-September 12, 2021, curated by Rosa de Graaf and Justine Kohleal, and at The Power Plant, February 5-May 1, 2022, curated by Noor Ale. The touring venues for YOU NAME IT include Autograph, London, November 10, 2022-March 25, 2023, curated by Mark Sealy, Renee Mussai, and Bindi Vora, and Turku Art Museum, Finland, June-September 2023, curated by Noor Ale and Selina Kiiskinen.
550    $a Co-published by The Power Plant.
504    $a Includes bibliographical references.
520 8  $a This comprehensive publication focuses on the artwork and activism of Sasha Huber. A Helsinki-based visual artist and researcher of Swiss and Haitian heritage, Huber's creative practice encompasses performance, photography, film, mixed media, reparative interventions, and collaborations to investigate colonial residues left in the environment. Her projects conceive of natural spaces' mountains, lakes, glaciers, forests, and craters' as contested territories, highlighting the ways in which history is imprinted onto the landscape through acts of remembrance, including memorialization through naming and the erection of monuments. For over a decade, Huber has produced work in relation to the cultural and political Demounting Louis Agassiz campaign, which seeks to redress the racist legacy of the Swiss-born naturalist and glaciologist. With her artworks, Huber challenges the terms by which we remember, asking not only who and what we memorialize, but also, and more importantly, how we do so.
600 10 $a Huber, Sasha $v Exhibitions.
600 16 $a Huber, Sasha $v Expositions.
650  0 $a Art, Modern $x Political aspects $v Exhibitions.
650  0 $a Art $y 21st century $x Political aspects $v Exhibitions.
650  0 $a Black people in art $v Exhibitions.
650  0 $a Race in art $v Exhibitions.
650  0 $a Landscapes in art $v Exhibitions.
650  0 $a Portrait painting $v Exhibitions.
650  6 $a Personnes noires dans l'art $v Expositions.
650  6 $a Race dans l'art $v Expositions.
650  6 $a Paysages dans l'art $v Expositions.
650  6 $a Peinture de portraits $v Expositions.
655  7 $a exhibition catalogs. $2 aat
655  7 $a Exhibition catalogs $2 fast
655  7 $a Exhibition catalogs. $2 lcgft
655  7 $a Catalogues d'exposition. $2 rvmgf
700 1  $a Sealy, Mark, $e editor.
700 1  $a Verna, Gae˜tane, $e editor.
700 12 $i Container of (work): $a Huber, Sasha. $t Works. $k Selections.
710 2  $a Power Plant (Art gallery), $e host institution. $e host institution.
941    $a 2
952    $l USUX851 $d 20240502013709.0
952    $l OVUX522 $d 20240320011006.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=375F42DAE67F11EE94C7D61345ECA4DB

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