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04178aam a2200469 i 4500 001 B9D1D5DEA5B811ECBC4A196C2DECA4DB 003 SILO 005 20220317010139 008 190921t20202020mouac bc 000 0 eng d 010 $a 2019917930 020 $a 1597114804 020 $a 9781597114806 035 $a (OCoLC)1120098536 040 $a YDX $b eng $e rda $c YDX $d UKMGB $d OCLCO $d ERASA $d OCLCF $d YDXIT $d OCLCO $d CAM $d CHVBK $d OCLCO $d FNE $d IBI $d OCL $d OCLCO $d CUV $d OCLCO $d IaU $d SILO 043 $a n-us--- 050 4 $a TR681.M4 $b A4 2020 050 4 $a TR140.S439 $b A4 2020 082 04 $a 779.092 $2 23 100 1 $a Sepuya, Paul Mpagi, $d 1982- $e interviewee. $e photographer, $e interviewee. 245 10 $a Paul Mpagi Sepuya. 264 1 $a St. Louis, MO : $b Contemporary Art Museum St. Louis ; $c [2020] 300 $a 95 pages : $b illustrations (chiefly color), portraits ; $c 26 cm 520 $a "The exhibition 'Paul Mpagi Sepuya' is the first to survey more than a decade of the artist's practice. It offers the opportunity to trace visual, thematic, and conceptual connections across several bodies of work as well as to chart the artist's evolution in image-making. While we are privy to different strategies and varied nuances in his work, Sepuya consistently makes photographs that deconstruct traditional portraiture, challenging notions of "sitter" and "subject", and recasting the space, idea, and presence of the studio. His photographs feature friends, artists, collaborators, and himself, offering the perspective of a black, queer gaze. Figures are often rendered as abstractions through layering, fragmentation, mirror imagery, and shadow. Sometimes the body is represented only through traces left behind - of fingerprints, impressions in a velvet backdrop, fingertips holding a drape. The portraits are movingly honest, made with no digital intervention ; what you see is what was there. Sepuya's photographs expose their own making with the apparatus of photography as an integral part of the picture - tripod, clamps, lenses, and the camera itself. The resulting work, covering multiple periods of Sepuya's career and life, reveals a profound intimacy between artist and sitters, reflecting a poignant generosity of spirit in its transparency."--adapted from Foreword, page [6]. 500 $a "Published on the occasion of the exhibition 'Paul Mpagi Sepuya' held at Contemporary Art Museum St. Louis, May 17-August 18, 2019, and Blaffer Art Museum, University of Houston, October 18, 2019-March 14, 2020. Organized by Wassan Al-Khudhairi, chief curator, with Misa Jeffereis, assistant curator."--adapted from verso of page 95. 504 $a Includes bibliographical references. 505 0 $a Foreword / by Lisa Melandri -- Acknowledgments / by Wassan Al-Khudhairi -- Interview with Paul Mpagi Sepuya / by Wassan Al-Khudhairi -- Grease on glass / by Evan Moffitt -- Plates. Early portraits -- Red Studio / white feet / by Lucy Gallun -- Studio work, 2010-11 -- To empower the fragment / by Ariel Goldberg -- Some recent pictures, 2013-14 -- The studio / by Grace Wales Bonner -- Studies -- A parliament of parts / by Malik Gaines -- Mirror studies -- Dark room -- Exhibition checklist -- Contributor biographies / by Misa Jeffereis. 600 10 $a Sepuya, Paul Mpagi, $d 1982- $v Exhibitions. 600 10 $a Sepuya, Paul Mpagi, $d 1982- $v Interviews. 600 17 $a Sepuya, Paul Mpagi, $d 1982- $2 fast $0 (OCoLC)fst01971625 650 0 $a Photography, Artistic $v Exhibitions. 650 0 $a Portrait photography $z United States $v Exhibitions. 650 7 $a Photography, Artistic. $2 fast $0 (OCoLC)fst01061964 650 7 $a Portrait photography. $2 fast $0 (OCoLC)fst01072259 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a Interviews. $2 fast $0 (OCoLC)fst01423832 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 710 2 $a Contemporary Art Museum St. Louis, $e host institution. 710 2 $a Blaffer Art Museum at the University of Houston, $e host institution. 700 1 $a Al-Khudhairi, Wassan, $e interviewer. 941 $a 1 952 $l OVUX522 $d 20231117030329.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=B9D1D5DEA5B811ECBC4A196C2DECA4DBInitiate Another SILO Locator Search