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03551aam a2200433 i 4500 001 367B30101B1B11EAA846F92397128E48 003 SILO 005 20191210010147 008 181028t20192019nyua b s001 0 eng c 010 $a 2018033266 020 $a 1438474652 020 $a 9781438474656 035 $a (OCoLC)1057305333 040 $a LBSOR/DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d BDX $d ERASA $d YDX $d UKMGB $d UtOrBLW $d SILO 041 1 $a eng $h fre 042 $a pcc 050 04 $a PN1995 $b .C347313 2019 082 00 $a 791.4301 $2 23 100 1 $a Carbone, Mauro, $d 1956- $e author. $0 http://id.loc.gov/authorities/names/no2018154811 240 10 $a Philosophie-eÌcrans. $l English 245 10 $a Philosophy-screens : $b from cinema to the digital revolution / $c Mauro Carbone ; translated by Marta Nijhuis. 264 1 $a Albany : $b State University of New York Press, $c [2019] 300 $a xii, 153 pages : $b illustrations ; $c 24 cm. 490 1 $a SUNY series in contemporary continental philosophy 520 $a "In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and also extending that analysis to address the wider proliferation of screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to we are increasingly and comprehensively connected with screens. Smart phones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first century concerns"-- $c Provided by publisher. 500 $a Published in French as Philosophie-eÌcrans. Du cinema a la revolution numerique by Librairie Philosophique J. VRIN, Paris, 2016. 546 $a Translated to English from the French. 504 $a Includes bibliographical references and index. 505 0 $a Sartre and Deleuze Via Bergson -- The philosopher and the moviemaker: Merleau-Ponty and the thinking of cinema -- The torn curtain: Lyotard, the screen and a cinema named desire -- Delimiting to exceed -- Come live with me -- Making philosophy among and through the screens. 648 7 $a 1900-1999 $2 fast 650 0 $a Motion pictures $x Philosophy. $0 http://id.loc.gov/authorities/subjects/sh2008108033 650 0 $a Philosophy, Modern $y 20th century. $0 http://id.loc.gov/authorities/subjects/sh85100964 650 7 $a Motion pictures $x Philosophy. $2 fast $0 (OCoLC)fst01027348 650 7 $a Philosophy, Modern. $2 fast $0 (OCoLC)fst01061071 700 1 $a Nijhuis, Marta, $d 1983- $e translator. $0 http://id.loc.gov/authorities/names/n2015003283 830 0 $a SUNY series in contemporary continental philosophy. $0 http://id.loc.gov/authorities/names/n84720871 941 $a 1 952 $l OVUX522 $d 20231018015856.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=367B30101B1B11EAA846F92397128E48Initiate Another SILO Locator Search